Michael Rispoli
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Cherry	02/2021	11	N/A	N/A	N/A	N/A
	Bottom Of The 9th	07/2019	8	N/A	N/A	N/A	N/A
	Honor Up	02/2018	4	17	N/A	17	8
	Rob The Mob	03/2014	N/A	210	N/A	210	99
	Pain and Gain	04/2013	28	49,120	37,560	86,680	38,110
	Union Square	07/2012	N/A	45	N/A	45	21
	The Rum Diary	10/2011	50	13,150	11,250	24,400	10,681
	The Reunion	10/2011	7	N/A	N/A	N/A	N/A
	The Last Godfather	04/2011	15	165	16,575	16,740	6,708
	The Taking Of Pelham 123	06/2009	108	66,200	92,300	158,500	68,034
	Yonkers Joe	01/2009	N/A	10	N/A	10	5
	Black Irish	10/2007	3	7	N/A	7	3
	Lonely Hearts	04/2007	N/A	188	1,835	2,023	822
	Invincible	08/2006	N/A	57,807	300	58,107	27,289
	The Weather Man	11/2005	32	12,500	6,600	19,100	8,515
	Mr. 3000	09/2004	32	22,000	29	22,029	10,352
	Death To Smoochy	03/2002	55	8,120	N/A	8,120	3,816
	Two Family House	10/2000	N/A	1,015	N/A	1,015	477
	The Third Miracle	12/1999	N/A	737	N/A	737	346
	Summer of Sam	07/1999	22	19,288	N/A	19,288	9,065
	One Tough Cop	10/1998	N/A	1,223	N/A	1,223	575
	Rounders	09/1998	12	22,922	1,800	24,722	11,493
	Snake Eyes	08/1998	73	55,591	44,700	100,291	44,008
	Volcano	04/1997	90	51,113	73,500	124,613	53,423
	Feeling Minnesota	09/1996	N/A	3,123	N/A	3,123	1,468
	Homeward Bound II: Lost in San Francisco	03/1996	N/A	30,532	2,400	32,932	15,310
	The Juror	02/1996	44	44,834	40,300	85,134	37,192
	To Die For	10/1995	20	20,906	9,700	30,606	13,706
	While You Were Sleeping	06/1995	17	82,781	100,900	183,681	79,267
	Above The Rim	03/1994	N/A	16,191	N/A	16,191	7,610
	Angie	02/1994	N/A	9,398	N/A	9,398	4,417
	Household Saints	09/1993	N/A	574	N/A	574	270

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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