Gina Rodriguez
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	I Want You Back	02/2022	10	N/A	N/A	N/A	N/A
	Kajillionare	09/2020	14	N/A	N/A	N/A	N/A
	Scoob!	05/2020	88	N/A	N/A	N/A	N/A
	Miss Bala	02/2019	15	N/A	N/A	N/A	N/A
	Smallfoot	09/2018	84	82,750	131,500	214,250	91,493
	Annihilation	02/2018	42	32,750	11,850	44,600	20,133
	Ferdinand	12/2017	116	84,250	212,300	296,550	124,518
	The Star	11/2017	21	40,750	22,300	63,050	28,073
	Deepwater Horizon	09/2016	115	61,250	60,085	121,335	52,822
	Enter The Dangerous Mind	02/2015	N/A	N/A	N/A	N/A	N/A
	Filly Brown	04/2013	2	2,750	N/A	2,750	1,293
	Go For It	05/2011	N/A	180	N/A	180	85

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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