Al Sapienza
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Acceleration	11/2019	8	N/A	N/A	N/A	N/A
	The Art Of Racing In The Rain	08/2019	19	26,180	7,450	33,630	15,285
	7 Splinters In Time	07/2018	4	N/A	N/A	N/A	N/A
	Black Water	06/2018	7	N/A	N/A	N/A	N/A
	Gangster Land	12/2017	8	N/A	N/A	N/A	N/A
	Stevie D	12/2016	N/A	N/A	N/A	N/A	N/A
	The Big Short	12/2015	30	71,790	64,230	136,020	59,433
	Club Life	05/2015	N/A	4	N/A	4	2
	Taken 3	01/2015	51	88,950	236,075	325,025	136,237
	9 Full Moons	12/2014	N/A	N/A	N/A	N/A	N/A
	Godzilla	05/2014	175	200,340	330,600	530,940	226,400
	Million Dollar Arm	05/2014	26	35,100	2,010	37,110	17,301
	Blue Caprice	09/2013	N/A	93	N/A	93	44
	A Dark Truth	01/2013	N/A	6	N/A	6	3
	Saw V	10/2008	12	58,240	50,575	108,815	47,603
	Bomb The System	05/2005	N/A	15	N/A	15	7
	Phoenix	09/1998	N/A	44	N/A	44	21
	Free Willy 2	07/1995	N/A	30,077	38,000	68,077	29,336
	Pretty Woman	03/1990	14	174,262	285,000	459,262	195,903

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.