Kaya Scodelario
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	The King`s Daughter	01/2022	44	N/A	N/A	N/A	N/A
	Resident Evil: Welcome to Raccoon City	11/2021	42	17,120	15,200	32,320	14,126
	Crawl	07/2019	14	40,050	53,600	93,650	40,264
	Extremely Wicked, Shockingly Evil And Vile	05/2019	12	N/A	N/A	N/A	N/A
	Maze Runner: The Death Cure	01/2018	65	60,100	232,440	292,540	121,223
	Pirates Of The Caribbean: Dead Men Tell No Tales	05/2017	240	170,000	623,400	793,400	329,260
	Maze Runner: The Scorch Trails	09/2015	65	80,100	229,840	309,940	129,583
	The Maze Runner	09/2014	36	101,750	237,600	339,350	142,863
	The Truth About Emanuel	01/2014	N/A	5	N/A	5	2
	Moon	06/2009	N/A	5,110	2,250	7,360	3,302

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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