Dougray Scott
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	London Town	10/2016	5	N/A	N/A	N/A	N/A
	The Vatican Tapes	07/2015	10	1,780	N/A	1,780	837
	Taken 3	01/2015	51	88,950	236,075	325,025	136,237
	Last Passenger	04/2014	N/A	15	N/A	15	7
	My Week With Marilyn	11/2011	12	14,475	19,900	34,375	14,763
	There Be Dragons	05/2011	40	1,075	N/A	1,075	505
	Hitman	11/2007	70	39,860	60,250	100,110	42,834
	Dark Water	07/2005	30	25,000	24,000	49,000	21,350
	Enigma	04/2002	N/A	4,302	N/A	4,302	2,022
	Mission: Impossible 2	05/2000	125	215,410	330,000	545,410	233,243
	Regeneration	08/1998	N/A	7	N/A	7	3
	Ever After	07/1998	26	65,667	10,200	75,867	34,943
	Deep Impact	05/1998	85	140,465	209,000	349,465	149,619
	Twin Town	05/1997	3	124	N/A	124	58
	Princess Caraboo	09/1994	N/A	3,062	N/A	3,062	1,439

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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