Jason Segel
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Windfall (2022)	03/2022	26	N/A	N/A	N/A	N/A
	Our Friend	01/2021	15	N/A	N/A	N/A	N/A
	Come Sunday	04/2018	8	N/A	N/A	N/A	N/A
	The Discovery	03/2017	26	N/A	N/A	N/A	N/A
	The End Of The Tour	07/2015	N/A	3,000	N/A	3,000	1,410
	Sex Tape	07/2014	42	38,875	87,760	126,635	53,375
	This Is 40	12/2012	38	67,135	20,730	87,865	39,845
	The Five Year Engagement	04/2012	33	28,350	26,450	54,800	23,905
	Jeff, Who Lives At Home	03/2012	12	4,230	165	4,395	2,054
	Bad Teacher	06/2011	22	101,000	117,500	218,500	94,470
	Gullivers Travels	12/2010	115	43,200	198,440	241,640	99,680
	Despicable Me	07/2010	75	252,550	305,000	557,550	240,699
	I Love You, Man	03/2009	40	71,850	20,160	92,010	41,834
	Forgetting Sarah Marshall	04/2008	33	63,400	40,800	104,200	46,118
	Knocked Up	06/2007	35	150,000	71,000	221,000	98,900
	Slackers	02/2002	11	5,100	N/A	5,100	2,397
	Dead Man on Campus	08/1998	14	15,065	500	15,565	7,281

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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