Jamey Sheridan
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Lizzie	09/2018	12	645	N/A	645	303
	Spotlight	11/2015	22	44,400	44,200	88,600	38,548
	The East	05/2013	7	2,160	100	2,260	1,055
	Handsome Harry	04/2010	2	23	N/A	23	11
	Rain	05/2002	N/A	454	N/A	454	213
	The Simian Line	11/2001	N/A	20	N/A	20	9
	Life As A House	10/2001	18	15,652	N/A	15,652	7,356
	The Amati Girls	01/2001	N/A	48	N/A	48	23
	Cradle Will Rock	12/1999	32	2,900	N/A	2,900	1,363
	The Ice Storm	10/1997	18	7,900	8,120	16,020	6,961
	Wild America	06/1997	N/A	7,366	N/A	7,366	3,462
	Whispers In The Dark	08/1992	N/A	10,215	N/A	10,215	4,801
	A Stranger Among Us	07/1992	N/A	11,940	N/A	11,940	5,612
	Stanley & Iris	02/1990	N/A	5,820	N/A	5,820	2,735

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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