
Stellan Skarsgard
Actor
Financial Data
Film Title Release (m/yr)
Film Title | Release (m/yr) | Est. Production Cost (millions) | US Box Office (000's) | Foreign Box Office (000's) | Worldwide Box Office (000's) | Est. World Film Rentals (000's) Est. Profitable | |
---|---|---|---|---|---|---|---|
![]() | Dune: Part Two | 03/2024 | 200 | 282,340 | 430,560 | 712,900 | 304,924 |
![]() | Dune | 10/2021 | 168 | 107,650 | 298,670 | 406,320 | 170,064 |
![]() | The Man Who Killed Don Quixote | 04/2019 | 20 | 400 | 2,470 | 2,870 | 1,176 |
![]() | Mamma Mia: Here We Go Again | 07/2018 | 78 | 120,700 | 275,000 | 395,700 | 166,729 |
![]() | Borg vs. McEnroe | 04/2018 | 8 | 230 | 3,100 | 3,330 | 1,348 |
![]() | Avengers: Age Of Ultron | 05/2015 | 365 | 460,400 | 942,300 | 1,402,700 | 593,308 |
![]() | Cinderella | 03/2015 | 100 | 200,250 | 342,900 | 543,150 | 231,278 |
![]() | Hector and the Search For Happiness | 09/2014 | N/A | 1,110 | N/A | 1,110 | 522 |
![]() | Nymphomaniac: Volume II | 04/2014 | N/A | 328 | 2,020 | 2,348 | 962 |
![]() | The Railway Man | 04/2014 | 28 | 4,410 | 18,675 | 23,085 | 9,543 |
![]() | Nymphomaniac: Vol. 1 | 03/2014 | N/A | 782 | 10,230 | 11,012 | 4,460 |
![]() | Thor: The Dark World | 11/2013 | 185 | 206,340 | 438,795 | 645,135 | 272,498 |
![]() | Romeo And Juliet | 10/2013 | N/A | 1,100 | N/A | 1,100 | 517 |
![]() | The Avengers | 05/2012 | 242 | 622,535 | 887,500 | 1,510,035 | 647,591 |
![]() | The Girl With The Dragon Tattoo | 12/2011 | 100 | 102,600 | 130,000 | 232,600 | 100,222 |
![]() | Thor | 05/2011 | 165 | 182,000 | 275,000 | 457,000 | 195,540 |
![]() | A Somewhat Gentle Man | 01/2011 | N/A | 38 | 1,800 | 1,838 | 738 |
![]() | Frankie and Alice | 01/2011 | N/A | 10 | N/A | 10 | 5 |
![]() | Boogie Woogie | 04/2010 | 6 | 3 | 45 | 48 | 19 |
![]() | Angels & Demons | 05/2009 | 165 | 135,000 | 355,000 | 490,000 | 205,450 |
![]() | Goyas Ghosts | 07/2007 | 55 | 1,100 | 7,545 | 8,645 | 3,535 |
![]() | Pirates Of The Caribbean: Dead Mans Chest | 07/2006 | 225 | 423,325 | 642,000 | 1,065,325 | 455,763 |
![]() | Beowulf & Grendel | 07/2006 | N/A | 67 | N/A | 67 | 31 |
![]() | Dominion: Prequel To The Exorcist | 05/2005 | 35 | 230 | N/A | 230 | 108 |
![]() | Exorcist: The Beginning | 08/2004 | 20 | 42,000 | 40,000 | 82,000 | 35,740 |
![]() | King Arthur | 07/2004 | 90 | 52,000 | 149,000 | 201,000 | 84,040 |
![]() | Dogville | 03/2004 | N/A | 1,550 | 10 | 1,560 | 733 |
![]() | No Good Deed (The House on Turk Street) | 09/2003 | 12 | 182 | N/A | 182 | 86 |
![]() | Taking Sides | 09/2003 | N/A | 175 | N/A | 175 | 82 |
![]() | City Of Ghosts | 04/2003 | 18 | 325 | N/A | 325 | 153 |
![]() | The Glass House | 09/2001 | 30 | 18,000 | N/A | 18,000 | 8,460 |
![]() | Signs & Wonders | 04/2001 | N/A | 34 | N/A | 34 | 16 |
![]() | Passion Of Mind | 05/2000 | N/A | 769 | N/A | 769 | 361 |
![]() | Timecode | 04/2000 | 4 | 1,053 | N/A | 1,053 | 495 |
![]() | Deep Blue Sea | 07/1999 | 78 | 73,648 | 85,000 | 158,648 | 68,615 |
![]() | My Son The Fanatic | 06/1999 | N/A | 408 | N/A | 408 | 192 |
![]() | Savior | 11/1998 | 10 | 14 | N/A | 14 | 7 |
![]() | Ronin | 09/1998 | 55 | 41,553 | 33,000 | 74,553 | 32,730 |
![]() | Amistad | 12/1997 | 38 | 45,783 | 17,600 | 63,383 | 28,558 |
![]() | Good Will Hunting | 12/1997 | 10 | 138,300 | 87,500 | 225,800 | 100,001 |
![]() | Wind | 09/1992 | N/A | 5,417 | N/A | 5,417 | 2,546 |
![]() | The Hunt for Red October | 03/1990 | 30 | 124,469 | 78,500 | 202,969 | 89,900 |
![]() | The Unbearable Lightness of Being | 02/1988 | N/A | 10,006 | N/A | 10,006 | 4,703 |
Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).
Click on Est. Profitable above.
Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.
Contact Details
AGENT ICM Joe Funicello 10250 Constellation Blvd. Los Angeles, CA 90067 T:(310) 550-4000 careersla@icmtalent.com | MANAGER AGENTFIRMAN PLANTHABER/KILDEN Jenny Planthaber112, SE-113 Stockholm, 60 T:46 8 545 023 91 jenny@agentfirman.com | UK AGENT CURTIS BROWN GROUP Haymarket House 28-29 Haymarket London SW1Y 4SP T:44 (0) 207 393 4400 | ATTORNEY GINSBURG DANIELS, LLP Lev Ginsburg 9300 Wilshire Blvd. Beverly Hills, CA 90212 T:(310) 274-3210 |