John Slattery
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Churchill	06/2017	11	1,300	4,300	5,600	2,331
	Spotlight	11/2015	22	44,400	44,200	88,600	38,548
	Ant-Man	07/2015	136	178,650	335,400	514,050	218,126
	The Adjustment Bureau	03/2011	53	63,100	66,450	129,550	56,237
	Return	02/2011	N/A	N/A	N/A	N/A	N/A
	Iron Man 2	05/2010	225	321,400	310,560	631,960	275,282
	Charlie Wilsons War	12/2007	75	66,070	54,850	120,920	52,993
	Reservation Road	10/2007	N/A	122	23	145	67
	Underdog	08/2007	25	43,950	21,255	65,205	29,159
	The Situation	02/2007	N/A	50	N/A	50	24
	Flags Of Our Fathers	10/2006	100	33,602	24,000	57,602	25,393
	Dirty Dancing: Havana Nights	02/2004	N/A	14,200	N/A	14,200	6,674
	Mona Lisa Smile	12/2003	65	64,007	79,000	143,007	61,683
	Bad Company	06/2002	70	30,160	39,000	69,160	29,775
	Eraser	06/1996	100	101,300	133,200	234,500	100,891

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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