Michael Smiley
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	The Silent Twins	09/2022	N/A	N/A	N/A	N/A	N/A
	Come To Daddy	02/2020	7	N/A	N/A	N/A	N/A
	Madame	03/2018	5	100	4,800	4,900	1,967
	Birthmarked	03/2018	8	N/A	N/A	N/A	N/A
	Free Fire	04/2017	8	1,800	2,000	3,800	1,646
	My Name Is Emily	01/2017	N/A	N/A	N/A	N/A	N/A
	Tank 432	11/2016	2	N/A	N/A	N/A	N/A
	Black Sea	01/2015	32	1,120	N/A	1,120	526
	For Those In Peril	10/2014	N/A	N/A	N/A	N/A	N/A
	Field in Englend	02/2014	N/A	34	N/A	34	16
	The Worlds End	08/2013	21	25,675	22,340	48,015	21,003
	Kill List	02/2012	1	30	141	171	71
	Burke and Hare	09/2011	N/A	5	4,350	4,355	1,742
	Down Terrace	10/2010	N/A	10	N/A	10	5
	Breaking And Entering	12/2006	N/A	931	8,045	8,976	3,656

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.