Imelda Staunton
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Chicken Run: Dawn of the Nugget	12/2023	44	N/A	N/A	N/A	N/A
	Maleficent: Mistress Of Evil	10/2019	200	112,100	370,800	482,900	201,007
	Downton Abbey	09/2019	22	96,540	92,450	188,990	82,354
	Finding Your Feet	03/2018	8	1,425	14,850	16,275	6,610
	Paddington	01/2015	58	74,430	185,600	260,030	109,222
	Pride	10/2014	N/A	1,485	6,340	7,825	3,234
	Maleficent	05/2014	190	240,875	520,100	760,975	321,251
	The Girl	12/2012	N/A	35	N/A	35	16
	The Awakening	08/2012	N/A	173	N/A	173	81
	The Pirates! Band Of Misfits	04/2012	61	29,890	90,100	119,990	50,088
	Arthur Christmas	11/2011	N/A	46,500	101,250	147,750	62,355
	Another Year	12/2010	9	3,250	15,290	18,540	7,644
	How About You	11/2008	10	55	635	690	280
	Harry Potter And The Order Of The Phoenix	07/2007	155	292,100	646,000	938,100	395,687
	Freedom Writers	01/2007	21	36,606	6,225	42,831	19,695
	Nanny McPhee	01/2006	35	47,279	75,000	122,279	52,221
	Blackball	02/2005	N/A	48	N/A	48	23
	Vera Drake	10/2004	N/A	3,778	N/A	3,778	1,776
	Bright Young Things	08/2004	N/A	932	N/A	932	438
	ILL Be There	08/2003	N/A	N/A	N/A	N/A	N/A
	Crush	04/2002	N/A	1,100	N/A	1,100	517
	Chicken Run	06/2000	42	106,835	122,000	228,835	99,012
	Shakespeare in Love	12/1998	25	100,318	189,000	289,318	122,749
	Twelfth Night	10/1996	8	564	N/A	564	265
	Sense And Sensibility	01/1996	17	41,490	90,900	132,390	55,860
	Much Ado About Nothing	05/1993	8	22,551	20,900	43,451	18,959
	Peters Friends	12/1992	5	3,991	878	4,869	2,227

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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