
David Strathairn
Actor
Financial Data
Film Title Release (m/yr)
Film Title | Release (m/yr) | Est. Production Cost (millions) | US Box Office (000's) | Foreign Box Office (000's) | Worldwide Box Office (000's) | Est. World Film Rentals (000's) Est. Profitable | |
---|---|---|---|---|---|---|---|
![]() | Where the Crawdads Sing | 07/2022 | 25 | 90,250 | 52,400 | 142,650 | 63,378 |
![]() | Nightmare Alley | 12/2021 | 55 | 11,100 | 26,200 | 37,300 | 15,697 |
![]() | The Devil Has A Name | 10/2020 | 8 | N/A | N/A | N/A | N/A |
![]() | Fast Color | 04/2019 | 6 | N/A | N/A | N/A | N/A |
![]() | November Criminals | 12/2017 | 7 | N/A | N/A | N/A | N/A |
![]() | American Pastoral | 10/2016 | 20 | 535 | N/A | 535 | 251 |
![]() | The Debt | 06/2016 | 1 | N/A | N/A | N/A | N/A |
![]() | Louder Than Bombs | 04/2016 | 12 | 162 | 440 | 602 | 252 |
![]() | The Second Best Exotic Marigold Hotel | 03/2015 | 12 | 32,870 | 54,180 | 87,050 | 37,121 |
![]() | Godzilla | 05/2014 | 175 | 200,340 | 330,600 | 530,940 | 226,400 |
![]() | Maladies | 03/2014 | 2 | N/A | N/A | N/A | N/A |
![]() | No God, No Master | 03/2014 | N/A | N/A | N/A | N/A | N/A |
![]() | Lincoln | 11/2012 | 72 | 181,520 | 94,860 | 276,380 | 123,258 |
![]() | The Bourne Legacy | 08/2012 | 115 | 112,675 | 163,100 | 275,775 | 118,197 |
![]() | The Whistleblower | 08/2011 | N/A | 1,125 | N/A | 1,125 | 529 |
![]() | The Tempest | 12/2010 | 22 | 280 | 70 | 350 | 160 |
![]() | Howl | 09/2010 | N/A | 618 | 568 | 1,186 | 518 |
![]() | The Uninvited | 01/2009 | 18 | 29,450 | 13,130 | 42,580 | 19,094 |
![]() | The Bourne Ultimatum | 08/2008 | 122 | 230,600 | 215,200 | 445,800 | 194,462 |
![]() | The Spiderwick Chronicles | 02/2008 | 90 | 72,120 | 91,100 | 163,220 | 70,336 |
![]() | My Blueberry Nights | 02/2008 | 10 | 890 | 19,550 | 20,440 | 8,238 |
![]() | Steel Toes | 06/2007 | 1 | N/A | N/A | N/A | N/A |
![]() | Fracture | 04/2007 | N/A | 40,020 | 51,750 | 91,770 | 39,509 |
![]() | We Are Marshall | 12/2006 | N/A | 43,545 | N/A | 43,545 | 20,466 |
![]() | The Notorious Bettie Page | 04/2006 | N/A | 1,411 | N/A | 1,411 | 663 |
![]() | Good Night And Good Luck | 10/2005 | 8 | 31,623 | 23,100 | 54,723 | 24,103 |
![]() | Twisted | 02/2004 | 50 | 25,000 | 14,000 | 39,000 | 17,350 |
![]() | Blue Car | 05/2003 | N/A | 464 | N/A | 464 | 218 |
![]() | Harrisons Flowers | 03/2002 | 6 | 1,844 | N/A | 1,844 | 867 |
![]() | A Map of the World | 11/1999 | N/A | 521 | N/A | 521 | 245 |
![]() | Limbo | 06/1999 | 8 | 2,160 | N/A | 2,160 | 1,015 |
![]() | A Midsummer Nights Dream | 05/1999 | 12 | 16,072 | N/A | 16,072 | 7,554 |
![]() | Bad Manners | 10/1998 | N/A | 54 | N/A | 54 | 25 |
![]() | Simon Birch | 09/1998 | 20 | 18,253 | N/A | 18,253 | 8,579 |
![]() | L.A. Confidential | 09/1997 | 35 | 64,603 | 66,400 | 131,003 | 56,923 |
![]() | Home For The Holidays | 10/1995 | N/A | 17,238 | N/A | 17,238 | 8,102 |
![]() | Dolores Claiborne | 03/1995 | 15 | 24,362 | 20,000 | 44,362 | 19,450 |
![]() | Losing Isaiah | 03/1995 | N/A | 7,604 | N/A | 7,604 | 3,574 |
![]() | The River Wild | 09/1994 | 45 | 47,957 | 48,100 | 96,057 | 41,780 |
![]() | A Dangerous Woman | 11/1993 | N/A | 1,434 | N/A | 1,434 | 674 |
![]() | The Firm | 06/1993 | 42 | 158,340 | 112,000 | 270,340 | 119,220 |
![]() | Lost In Yonkers | 05/1993 | N/A | 9,285 | N/A | 9,285 | 4,364 |
![]() | Passion Fish | 11/1992 | 4 | 4,811 | N/A | 4,811 | 2,261 |
![]() | Sneakers | 09/1992 | N/A | 51,703 | 80,262 | 131,965 | 56,405 |
![]() | Bob Roberts | 09/1992 | N/A | 4,381 | N/A | 4,381 | 2,059 |
![]() | A League of Their Own | 07/1992 | 40 | 107,534 | 25,000 | 132,534 | 60,541 |
![]() | City Of Hope | 10/1991 | 3 | 1,340 | N/A | 1,340 | 630 |
![]() | Memphis Belle | 10/1990 | N/A | 24,894 | N/A | 24,894 | 11,700 |
![]() | Eight Men Out | 09/1988 | N/A | 5,600 | N/A | 5,600 | 2,632 |
Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).
Click on Est. Profitable above.
Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.
Recent Television
Title | Network | Genre | Date | ||
---|---|---|---|---|---|
HEMINGWAY & GELLHORN | HBO | Biographical Drama Romance | 2012 | ||
TEMPLE GRANDIN | HBO | Biographical Drama | 2010 | ||
McMAFIA | AMC | Crime Thriller | 2/2018 | ||
INTERROGATION | CBS | Drama | 2/2020 |
Contact Details
AGENT ICM 10250 Constellation Blvd. Los Angeles, CA 90067 T:(310) 550-4000 careersla@icmtalent.com | MANAGER RYAN ENTERTAINMENT T:(818) 385-1897 |