Jim Sturgess
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Apartment 7A	09/2024	22	N/A	N/A	N/A	N/A
	Alone Together	07/2022	5	N/A	N/A	N/A	N/A
	JT Leroy	04/2019	3	N/A	N/A	N/A	N/A
	London Fields	10/2018	9	255	432	687	293
	Geostorm	10/2017	123	33,500	188,120	221,620	90,993
	Stonehearst Asylum	10/2014	22	N/A	N/A	N/A	N/A
	The Best Offer	01/2014	16	85	N/A	85	40
	Upside Down	03/2013	66	103	8,299	8,402	3,368
	Cloud Atlas	0/2012	112	26,575	102,525	129,100	53,500
	One Day	08/2011	17	14,000	36,875	50,875	21,330
	The Way Back	01/2011	33	2,710	17,750	20,460	8,374
	Heartless	11/2010	6	4	N/A	4	2
	Crossing Over	02/2009	N/A	465	3,620	4,085	1,667
	21	03/2008	37	82,340	78,320	160,660	70,028
	The Other Boleyn Girl	02/2008	30	27,200	51,830	79,030	33,516
	Across The Universe	09/2007	47	24,400	1,750	26,150	12,168
	The Browning Version	10/1994	N/A	464	N/A	464	218

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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