Lily Taylor
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Being Flynn	03/2012	N/A	539	N/A	539	253
	Brooklyns Finest	03/2010	20	27,550	9,350	36,900	16,689
	The Promotion	06/2008	N/A	410	15	425	199
	Starting Out In The Evening	11/2007	N/A	581	N/A	581	273
	The Notorious Bettie Page	04/2006	N/A	1,411	N/A	1,411	663
	A Slipping-Down Life	05/2004	N/A	95	N/A	95	45
	Casa de Los Babys	09/2003	N/A	476	N/A	476	224
	Gaudi Afternoon	03/2003	N/A	6	N/A	6	3
	High Fidelity	03/2000	18	27,287	19,800	47,087	20,745
	The Haunting	07/1999	80	91,241	86,000	177,241	77,283
	The Impostors	10/1998	N/A	2,195	N/A	2,195	1,032
	Pecker	09/1998	6	2,282	N/A	2,282	1,073
	Illtown	01/1998	N/A	30	N/A	30	14
	Kicked In The Head	09/1997	4	114	N/A	114	54
	Ransom	11/1996	80	136,500	176,500	313,000	134,755
	I Shot Andy Warhol	05/1996	N/A	1,862	N/A	1,862	875
	Four Rooms	12/1995	4	4,302	N/A	4,302	2,022
	Mrs. Parker and the Vicious Circle	12/1994	7	2,026	N/A	2,026	952
	Ready To Wear (Pret-A-Porter)	12/1994	N/A	6,100	35,500	41,600	17,067
	Rudy	10/1993	N/A	21,611	N/A	21,611	10,157
	Short Cuts	10/1993	N/A	6,015	N/A	6,015	2,827
	Household Saints	09/1993	N/A	574	N/A	574	270
	Watch It	04/1993	N/A	121	N/A	121	57
	Dogfight	09/1991	N/A	395	N/A	395	186
	Bright Angel	06/1991	N/A	158	N/A	158	74
	Born on the Fourth of July	12/1989	14	78,274	91,000	169,274	73,189
	Say Anything	04/1989	N/A	20,781	750	21,531	10,067
	Mystic Pizza	10/1988	6	12,793	N/A	12,793	6,013
	Shes Having a Baby	02/1988	N/A	16,031	N/A	16,031	7,535

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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