
Jack Thompson
Actor
Financial Data
Film Title Release (m/yr)
Film Title | Release (m/yr) | Est. Production Cost (millions) | US Box Office (000's) | Foreign Box Office (000's) | Worldwide Box Office (000's) | Est. World Film Rentals (000's) Est. Profitable | |
---|---|---|---|---|---|---|---|
![]() | The Light Between Oceans | 09/2016 | 21 | 12,480 | 14,260 | 26,740 | 11,570 |
![]() | Around The Block | 08/2014 | N/A | N/A | N/A | N/A | N/A |
![]() | Dont Be Afraid Of The Dark | 08/2011 | 27 | 24,100 | 7,800 | 31,900 | 14,447 |
![]() | Australia | 11/2008 | 135 | 49,525 | 162,000 | 211,525 | 88,077 |
![]() | December Boys | 09/2007 | 4 | 52 | 950 | 1,002 | 404 |
![]() | The Assassination Of Richard Nixon | 01/2005 | N/A | 698 | N/A | 698 | 328 |
![]() | Star Wars: Episode II - Attack Of the Clones | 05/2002 | 120 | 310,200 | 337,400 | 647,600 | 280,754 |
![]() | Original Sin | 08/2001 | 32 | 16,500 | 18,800 | 35,300 | 15,275 |
![]() | Midnight In The Garden Of Good And Evil | 11/1997 | 30 | 25,207 | N/A | 25,207 | 11,847 |
![]() | Excess Baggage | 08/1997 | N/A | 14,356 | N/A | 14,356 | 6,747 |
![]() | Last Dance | 04/1996 | N/A | 5,940 | N/A | 5,940 | 2,792 |
![]() | Broken Arrow | 02/1996 | 65 | 77,700 | 77,500 | 155,200 | 67,519 |
![]() | Ruby Cairo (Deception) | 10/1993 | N/A | 609 | N/A | 609 | 286 |
![]() | A Far Off Place | 03/1993 | N/A | 12,891 | N/A | 12,891 | 6,059 |
![]() | Wind | 09/1992 | N/A | 5,417 | N/A | 5,417 | 2,546 |
Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).
Click on Est. Profitable above.
Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.