Gillian Vigman
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	The American Society of Magical Negroes	03/2024	16	2,550	16	2,566	1,205
	A Crooked Somebody	10/2018	7	N/A	N/A	N/A	N/A
	Forever My Girl	01/2018	4	16,500	N/A	16,500	7,755
	Helicopter Mom	04/2015	N/A	N/A	N/A	N/A	N/A
	The Hangover Part III	05/2013	115	110,650	248,120	358,770	151,254
	The Kings Of Summer	05/2013	N/A	1,310	N/A	1,310	616
	The Hangover Part II	05/2011	90	255,000	330,000	585,000	251,850
	Aliens In the Attic	07/2009	50	25,400	34,850	60,250	25,878
	The Hangover	06/2009	40	285,000	192,000	477,000	210,750
	Step Brothers	07/2008	70	102,450	27,100	129,550	58,992
	Deck The Halls	11/2006	80	34,823	12,250	47,073	21,267
	The 40 Year Old Virgin	08/2005	28	109,000	68,000	177,000	78,430

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.