
Rachel Weisz
Actor
Financial Data
Film Title Release (m/yr)
Film Title | Release (m/yr) | Est. Production Cost (millions) | US Box Office (000's) | Foreign Box Office (000's) | Worldwide Box Office (000's) | Est. World Film Rentals (000's) Est. Profitable | |
---|---|---|---|---|---|---|---|
![]() | The Black Widow | 07/2021 | 200 | 184,900 | 198,730 | 383,630 | 166,395 |
![]() | The Favourite | 11/2018 | 16 | 34,120 | 62,980 | 97,100 | 41,228 |
![]() | The Mercy | 11/2018 | 27 | N/A | N/A | N/A | N/A |
![]() | Disobedience | 04/2018 | 7 | 3,500 | 4,125 | 7,625 | 3,295 |
![]() | My Cousin Rachel | 06/2017 | 10 | 2,696 | 7,120 | 9,816 | 4,115 |
![]() | The Light Between Oceans | 09/2016 | 21 | 12,480 | 14,260 | 26,740 | 11,570 |
![]() | Denial | 09/2016 | 12 | N/A | N/A | N/A | N/A |
![]() | Complete Unkown | 08/2016 | 12 | N/A | N/A | N/A | N/A |
![]() | Youth | 12/2015 | 14 | 2,220 | N/A | 2,220 | 1,043 |
![]() | Oz The Great And Powerful | 03/2013 | 220 | 235,100 | 263,400 | 498,500 | 215,857 |
![]() | The Bourne Legacy | 08/2012 | 115 | 112,675 | 163,100 | 275,775 | 118,197 |
![]() | 360 | 08/2012 | N/A | 100 | 1,620 | 1,720 | 695 |
![]() | The Deep Blue Sea | 03/2012 | N/A | 1,125 | N/A | 1,125 | 529 |
![]() | Dream House | 09/2011 | 55 | 21,575 | 17,540 | 39,115 | 17,156 |
![]() | The Whistleblower | 08/2011 | N/A | 1,125 | N/A | 1,125 | 529 |
![]() | The Lovely Bones | 12/2009 | 70 | 44,120 | 45,675 | 89,795 | 39,006 |
![]() | Agora | 10/2009 | 50 | 625 | 38,425 | 39,050 | 15,664 |
![]() | The Brothers Bloom | 05/2009 | 22 | 3,550 | 2,160 | 5,710 | 2,533 |
![]() | My Blueberry Nights | 02/2008 | 10 | 890 | 19,550 | 20,440 | 8,238 |
![]() | Definitely, Maybe | 02/2008 | 8 | 32,100 | 23,400 | 55,500 | 24,447 |
![]() | Fred Claus | 11/2007 | 38 | 71,430 | 25,760 | 97,190 | 43,876 |
![]() | Eragon | 12/2006 | 100 | 75,408 | 174,137 | 249,545 | 105,097 |
![]() | The Fountain | 11/2006 | 35 | 9,937 | 6,000 | 15,937 | 7,070 |
![]() | The Constant Gardener | 09/2005 | 25 | 34,000 | 26,000 | 60,000 | 26,380 |
![]() | Constantine | 02/2005 | 110 | 76,000 | 154,000 | 230,000 | 97,320 |
![]() | Envy | 04/2004 | 42 | 13,000 | N/A | 13,000 | 6,110 |
![]() | Runaway Jury | 10/2003 | 60 | 49,023 | 31,500 | 80,523 | 35,641 |
![]() | The Shape Of Things | 05/2003 | N/A | 732 | N/A | 732 | 344 |
![]() | Confidence | 04/2003 | 15 | 12,218 | N/A | 12,218 | 5,742 |
![]() | About A Boy | 05/2002 | 27 | 40,500 | 89,100 | 129,600 | 54,675 |
![]() | The Mummy Returns | 05/2001 | 98 | 202,020 | 227,400 | 429,420 | 185,909 |
![]() | Beautiful Creatures | 04/2001 | N/A | 55 | N/A | 55 | 26 |
![]() | Enemy At The Gates | 03/2001 | 70 | 51,402 | 44,300 | 95,702 | 41,879 |
![]() | Sunshine | 06/2000 | 15 | 5,059 | 2,675 | 7,734 | 3,448 |
![]() | I Want You | 06/1999 | N/A | 2 | N/A | 2 | 1 |
![]() | The Mummy | 05/1999 | 76 | 155,385 | 258,000 | 413,385 | 176,231 |
![]() | The Land Girls | 06/1998 | N/A | 235 | N/A | 235 | 110 |
![]() | Swept from The Sea | 01/1998 | N/A | 284 | N/A | 284 | 133 |
![]() | Bent | 11/1997 | N/A | 372 | N/A | 372 | 175 |
![]() | Going All The Way | 09/1997 | N/A | 112 | N/A | 112 | 53 |
![]() | Chain Reaction | 08/1996 | 55 | 20,655 | 32,800 | 53,455 | 22,828 |
![]() | Stealing Beauty | 06/1996 | N/A | 4,719 | N/A | 4,719 | 2,218 |
![]() | Death Machine | 11/1995 | N/A | 1,425 | 3,150 | 4,575 | 1,930 |
![]() | This Is Not An Exit | 0/ | N/A | 1 | N/A | 1 | 0 |
Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).
Click on Est. Profitable above.
Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.
Contact Details
AGENT WME 9601 Wilshire Blvd. Beverly Hills, CA 90210 T:(310) 285-9000 | MANAGER BRILLSTEIN ENTERTAINMENT PARTNERS 9150 Wilshire Boulevard Suite 350 Beverly Hills, CA 90212 T:(310) 275-6135 | UK AGENT INDEPENDENT TALENT GROUP LTD. Oxford House 76 Oxford Street London W1D 1BS T:44 (0) 207 636 6565 | ATTORNEY HIRSCH WALLERSTEIN HAYUM MATLOF + FISHMAN 10100 Santa Monica Blvd. Suite 1700 Los Angeles, CA 90067 T:(310) 703-1700 contact@hwhmf.com |