Merritt Wever
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Marriage Story	11/2019	10	N/A	367	367	147
	Charlie Says	05/2019	6	41	58	99	42
	Welcome To Marwen	12/2018	41	10,870	2,250	13,120	6,009
	The Last Face	07/2017	46	N/A	600	600	240
	Meadowland	10/2015	12	N/A	N/A	N/A	N/A
	Birdman	10/2014	19	42,430	61,200	103,630	44,422
	Tiny Furniture	11/2010	N/A	395	N/A	395	186
	Greenberg	03/2010	N/A	4,250	2,100	6,350	2,838
	Michael Clayton	10/2007	25	48,720	45,275	93,995	41,008
	Into The Wild	09/2007	16	18,300	37,190	55,490	23,477
	Twelve And Holding	05/2006	1	96	N/A	96	45
	A Hole In One	05/2005	N/A	N/A	N/A	N/A	N/A
	Signs	08/2002	62	228,000	173,600	401,600	176,600
	Series 7: The Contenders	03/2001	N/A	172	N/A	172	81
	The Adventures of Sebastian Cole	08/1999	N/A	100	N/A	100	47

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.