Dianne Wiest
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Apartment 7A	09/2024	22	N/A	N/A	N/A	N/A
	I Care a Lot	02/2021	15	N/A	N/A	N/A	N/A
	The Mule (2018)	12/2018	52	103,758	70,050	173,808	76,786
	Five Nights In Maine	08/2016	5	N/A	N/A	N/A	N/A
	Sisters	12/2015	32	88,006	17,650	105,656	48,423
	The Humbling	01/2015	N/A	N/A	N/A	N/A	N/A
	The Odd Life Of Timothy Green	08/2012	N/A	51,675	N/A	51,675	24,287
	Darling Companion	04/2012	N/A	790	N/A	790	371
	The Big Year	10/2011	45	7,385	255	7,640	3,573
	Rabbit Hole	12/2010	7	2,250	1,200	3,450	1,538
	Passengers	10/2008	25	300	2,400	2,700	1,101
	Synecdoche New York	10/2008	23	3,000	N/A	3,000	1,410
	Dan In Real Life	10/2007	26	47,100	15,200	62,300	28,217
	Dedication	08/2007	N/A	93	N/A	93	44
	A Guide To Recognizing Your Saints	09/2006	N/A	516	N/A	516	243
	Robots	03/2005	75	128,000	133,000	261,000	113,360
	Merci Docteur Rey	08/2004	N/A	20	N/A	20	9
	I Am Sam	12/2001	22	40,270	57,500	97,770	41,927
	Practical Magic	10/1998	60	46,805	42,100	88,905	38,838
	The Horse Whisperer	05/1998	60	75,374	109,300	184,674	79,146
	The Associate	10/1996	N/A	12,406	N/A	12,406	5,831
	The Birdcage	03/1996	42	124,000	61,200	185,200	82,760
	Bullets Over Broadway	10/1994	15	13,383	24,100	37,483	15,930
	The Scout	09/1994	N/A	2,694	N/A	2,694	1,266
	Cops And Robbersons	04/1994	N/A	11,389	N/A	11,389	5,353
	Little Man Tate	10/1991	N/A	25,011	43,000	68,011	28,955
	Edward Scissorhands	12/1990	20	58,511	27,000	85,511	38,300
	Parenthood	08/1989	N/A	106,391	26,250	132,641	60,504
	Cookie	08/1989	N/A	1,755	N/A	1,755	825
	Bright Lights, Big City	04/1988	N/A	16,118	N/A	16,118	7,575

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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