Olivia Williams
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	The Father	12/2020	14	N/A	N/A	N/A	N/A
	Victoria And Abdul	09/2017	14	22,130	44,670	66,800	28,269
	Man Up	11/2015	N/A	N/A	N/A	N/A	N/A
	Seventh Son	02/2015	100	17,110	96,950	114,060	46,822
	Maps To The Stars	02/2015	14	348	1,010	1,358	568
	Sabotage	03/2014	40	10,950	8,260	19,210	8,451
	The Last Days On Mars	12/2013	8	24	N/A	24	11
	Hyde Park On Hudson	12/2012	N/A	6,285	2,645	8,930	4,012
	Anna Karenina	11/2012	33	12,750	47,750	60,500	25,093
	Hanna	04/2011	28	40,550	24,340	64,890	28,795
	The Ghost Writer	02/2010	50	15,850	45,350	61,200	25,590
	An Education	10/2009	8	12,495	5,630	18,125	8,125
	Flashbacks Of A Fool	10/2008	N/A	2	1,100	1,102	441
	X-Men: The Last Stand	05/2006	220	234,365	225,000	459,365	200,152
	Valiant	08/2005	40	19,000	39,000	58,000	24,530
	Peter Pan	12/2003	100	48,179	74,000	122,179	52,244
	The Heart Of Me	06/2003	7	196	N/A	196	92
	Below	10/2002	N/A	575	N/A	575	270
	The Man From Elysian Fields	09/2002	7	1,430	N/A	1,430	672
	Lucky Break	04/2002	6	52	N/A	52	24
	The Royal Tenenbaums	12/2001	21	52,307	20,400	72,707	32,744
	Born Romantic	09/2001	N/A	15	N/A	15	7
	The Body	04/2001	N/A	34	N/A	34	16
	The Sixth Sense	08/1999	55	293,506	187,100	480,606	212,788
	Rushmore	12/1998	10	34,094	N/A	34,094	16,024
	The Postman	12/1997	80	19,400	39,600	59,000	24,958

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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