Vanessa Williams
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Candyman	08/2021	36	61,250	17,300	78,550	35,708
	Miss Virginia	10/2019	4	N/A	N/A	N/A	N/A
	Man From Earth: Holocene	10/2017	5	6	N/A	6	3
	When Marnie Was Here	05/2015	N/A	N/A	N/A	N/A	N/A
	Tyler Perrys Temptation: Confessions Of A Marriage Counselor	03/2013	34	52,100	N/A	52,100	24,487
	Delhi Safari	12/2012	17	N/A	N/A	N/A	N/A
	Punks	11/2010	N/A	155	N/A	155	73
	Imagine That	06/2009	58	16,450	7,010	23,460	10,536
	Hannah Montana: The Movie	04/2009	40	80,175	76,350	156,525	68,222
	And Then Came Love	06/2007	1	14	N/A	14	7
	My Brother	03/2007	N/A	66	N/A	66	31
	Johnson Family Vacation	04/2004	12	31,200	N/A	31,200	14,664
	Like Mike	07/2002	30	51,400	5,500	56,900	26,358
	Shaft	06/2000	45	70,344	33,000	103,344	46,262
	Light it Up	11/1999	13	6,745	N/A	6,745	3,170
	The Adventures of Elmo in Grouchland	09/1999	N/A	11,652	N/A	11,652	5,476
	Dance With Me	08/1998	N/A	15,923	N/A	15,923	7,484
	Soul Food	09/1997	8	43,235	N/A	43,235	20,320
	Hoodlum	03/1997	N/A	23,496	200	23,696	11,123
	Mother	12/1996	N/A	18,883	N/A	18,883	8,875
	Eraser	06/1996	100	101,300	133,200	234,500	100,891
	Drop Squad	10/1994	2	735	N/A	735	345
	Candyman	10/1992	N/A	25,540	N/A	25,540	12,004
	Harley Davidson And The Marlboro Man	09/1991	N/A	7,434	N/A	7,434	3,494
	Another You	07/1991	N/A	2,865	N/A	2,865	1,347
	New Jack City	03/1991	N/A	46,809	N/A	46,809	22,000

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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