
Scott Wilson
Actor
Financial Data
Film Title Release (m/yr)
Film Title | Release (m/yr) | Est. Production Cost (millions) | US Box Office (000's) | Foreign Box Office (000's) | Worldwide Box Office (000's) | Est. World Film Rentals (000's) Est. Profitable | |
---|---|---|---|---|---|---|---|
![]() | Big Stan | 04/2008 | 10 | N/A | N/A | N/A | N/A |
![]() | The Host (Gwoemul) | 03/2007 | N/A | 2,200 | 86,800 | 89,000 | 35,754 |
![]() | Behind The Mask: The Rise Of Leslie Vernon | 01/2007 | N/A | 70 | N/A | 70 | 33 |
![]() | Come Early Morning | 11/2006 | 6 | 120 | N/A | 120 | 56 |
![]() | Coastlines | 06/2006 | N/A | 7 | N/A | 7 | 3 |
![]() | Saving Shiloh | 05/2006 | N/A | N/A | N/A | N/A | N/A |
![]() | Junebug | 08/2005 | 1 | 2,680 | 800 | 3,480 | 1,580 |
![]() | The Last Samurai | 12/2003 | 100 | 111,017 | 344,000 | 455,017 | 189,778 |
![]() | Monster | 12/2003 | 8 | 34,104 | 29,000 | 63,104 | 27,629 |
![]() | The Animal | 06/2001 | 22 | 55,786 | 26,000 | 81,786 | 36,619 |
![]() | South Of Heaven, West Of Hell | 12/2000 | N/A | 17 | N/A | 17 | 8 |
![]() | The Way Of The Gun | 09/2000 | 9 | 6,056 | N/A | 6,056 | 2,846 |
![]() | Shiloh 2 | 07/1999 | N/A | 2,765 | N/A | 2,765 | 1,300 |
![]() | Clay Pigeons | 09/1998 | 8 | 1,793 | N/A | 1,793 | 843 |
![]() | G.I. Jane | 08/1997 | 50 | 48,169 | 35,900 | 84,069 | 36,999 |
![]() | Shiloh | 04/1997 | N/A | 913 | N/A | 913 | 429 |
![]() | Dead Man Walking | 12/1995 | 11 | 39,000 | 43,000 | 82,000 | 35,530 |
![]() | Tall Tale: The Incredible Journey | 03/1995 | 32 | 8,247 | N/A | 8,247 | 3,876 |
![]() | Flesh And Bone | 11/1993 | N/A | 9,489 | N/A | 9,489 | 4,460 |
![]() | Pure Luck | 08/1991 | N/A | 19,655 | N/A | 19,655 | 9,238 |
![]() | Johnny Handsome | 09/1989 | N/A | 7,237 | N/A | 7,237 | 3,401 |
Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).
Click on Est. Profitable above.
Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.