
Finn Wittrock
Actor
Financial Data
Film Title Release (m/yr)
Film Title | Release (m/yr) | Est. Production Cost (millions) | US Box Office (000's) | Foreign Box Office (000's) | Worldwide Box Office (000's) | Est. World Film Rentals (000's) Est. Profitable | |
---|---|---|---|---|---|---|---|
![]() | Don`t Move | 10/2024 | 5 | N/A | N/A | N/A | N/A |
![]() | Downtown Owl | 04/2024 | 22 | N/A | N/A | N/A | N/A |
![]() | Luckiest Girl Alive | 10/2022 | 22 | N/A | N/A | N/A | N/A |
![]() | Deep Water | 03/2022 | 51 | N/A | N/A | N/A | N/A |
![]() | A Mouthful of Air | 10/2021 | 4 | N/A | N/A | N/A | N/A |
![]() | Long Weekend | 03/2021 | 3 | N/A | N/A | N/A | N/A |
![]() | Semper Fi | 10/2019 | 8 | N/A | N/A | N/A | N/A |
![]() | Judy | 09/2019 | 15 | 24,560 | 14,125 | 38,685 | 17,193 |
![]() | The Last Black Man In San Francisco | 06/2019 | N/A | N/A | N/A | N/A | N/A |
![]() | If Beale Street Could Talk | 11/2018 | N/A | N/A | N/A | N/A | N/A |
![]() | Write When You Get Work | 11/2018 | 8 | N/A | N/A | N/A | N/A |
![]() | A Futile And Stupid Gesture | 01/2018 | 6 | N/A | N/A | N/A | N/A |
![]() | Landline | 07/2017 | 12 | 925 | N/A | 925 | 435 |
![]() | The Big Short | 12/2015 | 30 | 71,790 | 64,230 | 136,020 | 59,433 |
![]() | My All American | 11/2015 | 22 | 2,250 | N/A | 2,250 | 1,058 |
![]() | Unbroken | 12/2014 | 68 | 113,430 | 46,270 | 159,700 | 71,820 |
![]() | Noah | 03/2014 | 130 | 102,675 | 265,700 | 368,375 | 154,537 |
![]() | Winters Tale | 02/2014 | 65 | 12,875 | 18,400 | 31,275 | 13,411 |
![]() | Pathology | 04/2008 | N/A | 110 | 3,200 | 3,310 | 1,332 |
Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).
Click on Est. Profitable above.
Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.
Contact Details
AGENT CAA 2000 Avenue Of The Stars Los Angeles, CA 90067 T:(424) 288-2000 | MANAGER WEISSENBACH MANAGEMENT 5951 Airdome St. Los Angeles, CA 90035 T:(323) 933-9860 | ATTORNEY SCHRECK ROSE DAPELLO ADAMS AND HURWITZ 1790 Broadway Suite 20 New York, NY 10019 T:(212) 832-1977 |