Catherine Zeta-Jones
Actor

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Red 2	07/2013	90	53,250	80,200	133,450	57,108
	Side Effects	02/2013	38	31,650	32,600	64,250	27,916
	Broken City	01/2013	63	18,920	N/A	18,920	8,892
	Playing For Keeps	12/2012	38	12,985	N/A	12,985	6,103
	Lay The Favorite	12/2012	28	21	N/A	21	10
	Rock Of Ages	06/2012	82	38,950	20,220	59,170	26,395
	Death Defying Acts	07/2008	20	6	5,760	5,766	2,307
	No Reservations	07/2007	30	43,250	49,380	92,630	40,080
	The Legend Of Zorro	11/2005	80	45,000	95,500	140,500	59,350
	Oceans Twelve	12/2004	100	126,000	237,000	363,000	154,020
	The Terminal	06/2004	60	77,000	116,000	193,000	82,590
	Intolerable Cruelty	10/2003	60	35,189	76,000	111,189	46,939
	Sinbad: Legend Of the Seven Seas	07/2003	66	26,309	53,000	79,309	33,565
	Chicago	12/2002	48	170,834	135,000	305,834	134,292
	Americas Sweethearts	07/2001	48	93,608	60,000	153,608	67,996
	Traffic	12/2000	50	124,107	83,400	207,507	91,690
	High Fidelity	03/2000	18	27,287	19,800	47,087	20,745
	The Haunting	07/1999	80	91,241	86,000	177,241	77,283
	Entrapment	04/1999	66	87,704	124,000	211,704	90,821
	The Mask of Zorro	07/1998	75	93,715	157,000	250,715	106,846
	The Phantom	06/1996	45	17,323	N/A	17,323	8,142
	Splitting Heirs	04/1993	N/A	3,247	N/A	3,247	1,526
	Christopher Columbus: The Discovery	08/1992	N/A	7,022	N/A	7,022	3,300

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

Contact Details