Nick Angel (ms)
Composer

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Wicked Little Letters	03/2024	14	5,120	21,800	26,920	11,126
	Retribution	08/2023	22	N/A	N/A	N/A	N/A
	Spencer	11/2021	21	7,100	14,650	21,750	9,197
	Days of the Bagnold Summer	02/2021	4	N/A	N/A	N/A	N/A
	Farming	10/2019	7	N/A	90	90	36
	Yardie	03/2019	4	N/A	N/A	N/A	N/A
	The Kid Who Would Be King	01/2019	18	N/A	N/A	N/A	N/A
	Johnny English Strikes Again	10/2018	50	N/A	N/A	N/A	N/A
	Sherlock Gnomes	03/2018	61	43,250	47,100	90,350	39,168
	Paddington 2	01/2018	42	40,450	187,120	227,570	93,860

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.