Selena Arizanovic (ms)
Composer

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	The Outpost	07/2020	19	186	2,240	2,426	983
	Unhinged	07/2020	35	20,750	22,550	43,300	18,773
	Rambo: Last Blood	09/2019	53	44,700	47,320	92,020	39,937
	Angel Has Fallen	08/2019	62	70,100	73,400	143,500	62,307
	Hellboy	04/2019	68	N/A	N/A	N/A	N/A
	Loving Pablo	06/2018	16	23	17,860	17,883	7,155
	Day Of The Dead: Bloodline	01/2018	9	260	N/A	260	122
	Leatherface	10/2017	5	955	N/A	955	449
	Acts Of Vengeance	10/2017	22	N/A	N/A	N/A	N/A
	The Hitman`s Bodyguard	08/2017	43	75,400	102,300	177,700	76,358
	Mechanic: Resurrection	08/2016	42	N/A	N/A	N/A	N/A
	Septembers Of Shiraz	06/2016	N/A	N/A	N/A	N/A	N/A

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.