John Barry
Composer

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Enigma	04/2002	N/A	4,302	N/A	4,302	2,022
	Playing by Heart	12/1998	24	7,926	N/A	7,926	3,725
	Mercury Rising	04/1998	60	32,983	55,500	88,483	37,702
	Swept from The Sea	01/1998	N/A	284	N/A	284	133
	Cry The Beloved Country	12/1995	N/A	667	N/A	667	313
	The Scarlet Letter	10/1995	50	10,379	N/A	10,379	4,878
	The Specialist	10/1994	45	57,300	110,400	167,700	71,091
	My Life	11/1993	20	27,500	27,100	54,600	23,765
	Ruby Cairo (Deception)	10/1993	N/A	609	N/A	609	286
	Indecent Proposal	04/1993	38	108,185	160,000	268,185	114,847
	Chaplin	12/1992	N/A	9,330	N/A	9,330	4,385
	Dances With Wolves	11/1990	15	184,685	240,000	424,685	182,802
	Masquerade	03/1988	N/A	15,855	N/A	15,855	7,452

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.