David Buckley
Composer

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Kandahar	05/2023	28	N/A	N/A	N/A	N/A
	Nobody	03/2021	17	27,300	28,200	55,500	24,111
	Greenland	12/2020	36	53,400	48,670	102,070	44,566
	Unhinged	07/2020	35	20,750	22,550	43,300	18,773
	Arctic Dogs	11/2019	52	N/A	N/A	N/A	N/A
	Angel Has Fallen	08/2019	62	70,100	73,400	143,500	62,307
	Papillon (2018)	08/2018	32	1,600	2,200	3,800	1,632
	The Boy Downstairs	02/2018	4	N/A	N/A	N/A	N/A
	Jason Bourne	07/2016	126	162,430	255,600	418,030	178,582
	The Nice Guys	05/2016	52	35,975	22,340	58,315	25,844
	A Bit Of Bad Luck	05/2016	N/A	17	N/A	17	8
	The Brothers Grimsby	03/2016	35	7	18	25	10
	Parker	01/2013	38	17,140	N/A	17,140	8,056
	ATM	04/2012	N/A	3	N/A	3	1
	Gone	02/2012	N/A	11,650	6,389	18,039	8,031
	Trepass	10/2011	38	25	4,960	4,985	1,996
	From Paris With Love	02/2010	57	25,160	28,750	53,910	23,325
	The Forbidden Kingdom	04/2008	70	52,100	76,230	128,330	54,979

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.