Michel Colombier
Composer

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Swept Away	10/2002	12	600	N/A	600	282
	Running On The Sun (doc)	09/2000	N/A	2	N/A	2	1
	Screwed	05/2000	10	7,027	N/A	7,027	3,303
	How Stella Got Her Groove Back	08/1998	20	37,665	1,680	39,345	18,375
	Woo	05/1998	13	8,065	N/A	8,065	3,791
	New Jack City	03/1991	N/A	46,809	N/A	46,809	22,000
	Impulse	0/1990	N/A	2,532	N/A	2,532	1,190
	Whos Harry Crumb?	02/1989	N/A	10,982	N/A	10,982	5,162
	Satisfaction	02/1988	N/A	8,253	N/A	8,253	3,879
	The Couch Trip	01/1988	N/A	11,000	N/A	11,000	5,170
	Cop	01/1988	N/A	1,983	N/A	1,983	932

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.