Normand Corbeil
Composer

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Grande ourse- La cie des possibilities	03/2009	5	N/A	N/A	N/A	N/A
	Le Deserteur	11/2008	N/A	N/A	N/A	N/A	N/A
	Ma Fille, mon ange	02/2007	N/A	2,761	N/A	2,761	1,298
	Cheech	10/2006	N/A	330	N/A	330	155
	La Secret de ma mere	07/2006	4	N/A	N/A	N/A	N/A
	Le Secret de ma mere	07/2006	N/A	2,436	N/A	2,436	1,145
	Before The Fall (Napola)	11/2005	N/A	85	N/A	85	40
	Elles Etaient Cinq	09/2004	2	2,200	N/A	2,200	1,034
	The Statement	12/2003	23	763	N/A	763	359
	Extreme Ops	11/2002	40	4,780	N/A	4,780	2,247
	The Art Of War	08/2000	40	30,209	15,100	45,309	20,238
	Double Jeopardy	09/1999	40	116,732	61,300	178,032	79,384
	The Assignment	09/1997	N/A	540	N/A	540	254
	Screamers	01/1996	11	5,783	N/A	5,783	2,718

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.