George Drakoulias
Composer

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Zoolander 2	02/2016	52	29,202	27,650	56,852	24,785
	The Intern	09/2015	38	75,820	118,870	194,690	83,183
	Mistress America	08/2015	N/A	2,400	N/A	2,400	1,128
	While We`re Young	03/2015	11	7,430	N/A	7,430	3,492
	The Hangover Part III	05/2013	115	110,650	248,120	358,770	151,254
	The Watch	07/2012	75	35,100	30,450	65,550	28,677
	The Runaways	03/2010	12	3,575	1,150	4,725	2,140
	Greenberg	03/2010	N/A	4,250	2,100	6,350	2,838
	Tropic Thunder	08/2008	90	111,380	77,960	189,340	83,533
	Hancock	07/2008	160	228,700	402,350	631,050	268,429
	Margot At The Wedding	11/2007	10	1,960	987	2,947	1,316
	Blades Of Glory	03/2007	65	118,650	26,400	145,050	66,326
	Blade:Trinity	12/2004	70	52,000	80,000	132,000	56,440
	Zoolander	09/2001	28	45,128	7,900	53,028	24,370

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.