
Anne Dudley
Composer
Financial Data
Film Title Release (m/yr)
Film Title | Release (m/yr) | Est. Production Cost (millions) | US Box Office (000's) | Foreign Box Office (000's) | Worldwide Box Office (000's) | Est. World Film Rentals (000's) Est. Profitable | |
---|---|---|---|---|---|---|---|
![]() | Benedetta | 12/2021 | 15 | N/A | N/A | N/A | N/A |
![]() | The Hustle | 05/2019 | 23 | 35,500 | 60,210 | 95,710 | 40,769 |
![]() | Mamma Mia: Here We Go Again | 07/2018 | 78 | 120,700 | 275,000 | 395,700 | 166,729 |
![]() | Elle | 11/2016 | 6 | N/A | N/A | N/A | N/A |
![]() | The Walker | 12/2007 | 12 | 62 | 452 | 514 | 210 |
![]() | Black Book (Zwartboek) | 04/2007 | 21 | 4,400 | 19,200 | 23,600 | 9,748 |
![]() | Tristan & Isolde | 01/2006 | N/A | 14,735 | 13,200 | 27,935 | 12,205 |
![]() | Bright Young Things | 08/2004 | N/A | 932 | N/A | 932 | 438 |
![]() | A Man Apart | 04/2003 | 36 | 26,248 | 18,000 | 44,248 | 19,537 |
![]() | Lucky Break | 04/2002 | 6 | 52 | N/A | 52 | 24 |
![]() | Monkeybone | 02/2001 | 75 | 5,409 | N/A | 5,409 | 2,542 |
![]() | Pushing Tin | 04/1999 | 35 | 8,409 | N/A | 8,409 | 3,952 |
![]() | American History X | 10/1998 | 10 | 6,715 | N/A | 6,715 | 3,156 |
![]() | The Full Monty | 08/1997 | 4 | 46,001 | 203,500 | 249,501 | 103,020 |
![]() | Hollow Reed | 05/1997 | N/A | 266 | N/A | 266 | 125 |
![]() | The Grotesque (Gentleman Dont Eat Poets) | 03/1997 | N/A | 31 | N/A | 31 | 15 |
![]() | Knight Moves | 01/1993 | N/A | 923 | N/A | 923 | 434 |
![]() | The Crying Game | 11/1992 | N/A | 62,000 | N/A | 62,000 | 29,140 |
![]() | Say Anything | 04/1989 | N/A | 20,781 | 750 | 21,531 | 10,067 |
![]() | The Mighty Quinn | 02/1989 | N/A | 4,557 | N/A | 4,557 | 2,142 |
Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).
Click on Est. Profitable above.
Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.