
Danny Elfman
Composer
Financial Data
Film Title Release (m/yr)
Film Title | Release (m/yr) | Est. Production Cost (millions) | US Box Office (000's) | Foreign Box Office (000's) | Worldwide Box Office (000's) | Est. World Film Rentals (000's) Est. Profitable | |
---|---|---|---|---|---|---|---|
![]() | Beetlejuice Beetlejuice | 09/2024 | 18 | N/A | N/A | N/A | N/A |
![]() | 65 | 03/2023 | 47 | 31,670 | 30,140 | 61,810 | 26,941 |
![]() | White Noise | 01/2023 | 83 | N/A | N/A | N/A | N/A |
![]() | Doctor Strange in the Multiverse of Madness | 05/2022 | 200 | 412,900 | 545,600 | 958,500 | 412,303 |
![]() | The Woman In The Window | 05/2021 | 26 | N/A | N/A | N/A | N/A |
![]() | Dolittle | 01/2020 | 183 | 78 | 170 | 248 | 105 |
![]() | Men In Black International | 06/2019 | 120 | 81,340 | 175,650 | 256,990 | 108,490 |
![]() | Dumbo | 03/2019 | 175 | 115,230 | 240,650 | 355,880 | 150,418 |
![]() | Dr. Seuss`The Grinch (2018) | 10/2018 | 82 | 271,540 | 241,230 | 512,770 | 224,116 |
![]() | Don`t Worry He Won`t Get Far On Foot | 07/2018 | 8 | 3,750 | N/A | 3,750 | 1,763 |
![]() | Fifty Shades Freed | 02/2018 | 57 | 100,340 | 272,400 | 372,740 | 156,120 |
![]() | Justice League | 11/2017 | 295 | 228,670 | 430,100 | 658,770 | 279,515 |
![]() | Fifty Shades Darker | 02/2017 | 57 | 114,239 | 265,100 | 379,339 | 159,732 |
![]() | The Girl On The Train | 10/2016 | 48 | 75,120 | 102,400 | 177,520 | 76,266 |
![]() | Before I Wake | 09/2016 | 5 | N/A | N/A | N/A | N/A |
![]() | Tulip Fever | 07/2016 | 26 | 2,420 | 6,340 | 8,760 | 3,673 |
![]() | Alice Through The Looking Glass | 05/2016 | 175 | 76,980 | 225,600 | 302,580 | 126,421 |
![]() | Joy | 12/2015 | 63 | 57,065 | 45,100 | 102,165 | 44,861 |
![]() | Goosebumps | 10/2015 | 92 | 78,230 | 42,600 | 120,830 | 53,808 |
![]() | The End Of The Tour | 07/2015 | N/A | 3,000 | N/A | 3,000 | 1,410 |
![]() | Avengers: Age Of Ultron | 05/2015 | 365 | 460,400 | 942,300 | 1,402,700 | 593,308 |
![]() | Fifty Shades Of Grey | 02/2015 | 42 | 165,740 | 405,670 | 571,410 | 240,166 |
![]() | Big Eyes | 12/2014 | 11 | 14,290 | 14,890 | 29,180 | 12,672 |
![]() | Mr. Peabody & Mr. Sherman | 03/2014 | 145 | 109,800 | 159,200 | 269,000 | 115,286 |
![]() | American Hustle | 12/2013 | 42 | 150,800 | 101,250 | 252,050 | 111,376 |
![]() | Epic | 05/2013 | 110 | 106,520 | 155,600 | 262,120 | 112,304 |
![]() | Oz The Great And Powerful | 03/2013 | 220 | 235,100 | 263,400 | 498,500 | 215,857 |
![]() | Promised Land | 12/2012 | 17 | 7,550 | 860 | 8,410 | 3,893 |
![]() | Silver Linings Playbook | 11/2012 | 23 | 121,100 | 71,850 | 192,950 | 85,657 |
![]() | Frankenweenie | 10/2012 | 41 | 34,950 | 40,400 | 75,350 | 32,587 |
![]() | Men In Black 3 | 05/2012 | 250 | 178,400 | 446,200 | 624,600 | 262,328 |
![]() | Dark Shadows | 05/2012 | 165 | 78,560 | 157,500 | 236,060 | 99,923 |
![]() | Real Steel | 10/2011 | 122 | 85,125 | 212,000 | 297,125 | 124,809 |
![]() | Restless | 09/2011 | 9 | 161 | N/A | 161 | 76 |
![]() | The Next Three Days | 11/2010 | 33 | 21,450 | 46,875 | 68,325 | 28,832 |
![]() | Alice In Wonderland | 02/2010 | 225 | 335,675 | 695,100 | 1,030,775 | 435,807 |
![]() | The Wolfman | 02/2010 | 160 | 62,300 | 78,500 | 140,800 | 60,681 |
![]() | Terminator Salvation | 05/2009 | 220 | 128,000 | 248,000 | 376,000 | 159,360 |
![]() | Notorious | 01/2009 | 20 | 37,250 | 7,950 | 45,200 | 20,688 |
![]() | Milk | 11/2008 | 22 | 31,855 | 22,750 | 54,605 | 24,072 |
![]() | Hellboy 2: The Golden Army | 07/2008 | 82 | 76,120 | 80,560 | 156,680 | 68,000 |
![]() | Wanted | 06/2008 | 80 | 135,000 | 207,120 | 342,120 | 146,298 |
![]() | Nightmare Before Christmas In 3-D (07) | 10/2007 | 18 | 75,600 | N/A | 75,600 | 35,532 |
![]() | The Kingdom | 09/2007 | 70 | 47,650 | 38,100 | 85,750 | 37,636 |
![]() | Meet The Robinsons | 03/2007 | N/A | 98,100 | 72,600 | 170,700 | 75,147 |
![]() | Charlottes Web | 12/2006 | 85 | 82,200 | 63,000 | 145,200 | 63,834 |
![]() | Nacho Libre | 06/2006 | 32 | 80,198 | 19,000 | 99,198 | 45,293 |
![]() | Deep Sea 3-D | 03/2006 | N/A | 37,188 | 36,867 | 74,055 | 32,225 |
![]() | Tim Burtons Corpse Bride | 09/2005 | 40 | 53,000 | 65,000 | 118,000 | 50,910 |
![]() | Charlie And The Chocolate Factory | 07/2005 | 150 | 206,000 | 266,000 | 472,000 | 203,220 |
![]() | Spider Man 2 | 07/2004 | 210 | 373,000 | 410,000 | 783,000 | 339,310 |
![]() | Big Fish | 12/2003 | 70 | 66,454 | 56,000 | 122,454 | 53,633 |
![]() | Hulk | 06/2003 | 145 | 132,136 | 113,000 | 245,136 | 107,304 |
![]() | Chicago | 12/2002 | 48 | 170,834 | 135,000 | 305,834 | 134,292 |
![]() | Red Dragon | 10/2002 | 90 | 92,956 | 92,800 | 185,756 | 80,809 |
![]() | Spy Kids 2: The Island of Lost Dreams | 08/2002 | 38 | 85,600 | 34,850 | 120,450 | 54,172 |
![]() | Men In Black 2 | 07/2002 | 147 | 190,000 | 251,400 | 441,400 | 189,860 |
![]() | Spider Man | 05/2002 | 145 | 404,000 | 418,000 | 822,000 | 357,080 |
![]() | Novocaine | 11/2001 | 7 | 2,025 | 530 | 2,555 | 1,164 |
![]() | Planet Of The Apes | 07/2001 | 100 | 179,775 | 178,400 | 358,175 | 155,854 |
![]() | Heartbreakers | 03/2001 | 40 | 40,334 | 16,800 | 57,134 | 25,677 |
![]() | Spy Kids | 03/2001 | 38 | 112,719 | 35,200 | 147,919 | 67,058 |
![]() | Proof Of Life | 12/2000 | 65 | 32,600 | 42,700 | 75,300 | 32,402 |
![]() | The Family Man | 12/2000 | 60 | 75,793 | 46,200 | 121,993 | 54,103 |
![]() | Sleepy Hollow | 11/1999 | 65 | 101,072 | 101,800 | 202,872 | 88,224 |
![]() | Anywhere But Here | 11/1999 | 23 | 18,655 | N/A | 18,655 | 8,768 |
![]() | Instinct | 06/1999 | 55 | 34,105 | 29,000 | 63,105 | 27,629 |
![]() | A Civil Action | 12/1998 | 60 | 56,703 | 17,000 | 73,703 | 33,450 |
![]() | Psycho | 12/1998 | 20 | 21,540 | N/A | 21,540 | 10,124 |
![]() | A Simple Plan | 12/1998 | 17 | 16,316 | N/A | 16,316 | 7,669 |
![]() | Good Will Hunting | 12/1997 | 10 | 138,300 | 87,500 | 225,800 | 100,001 |
![]() | Flubber | 11/1997 | N/A | 93,017 | 89,800 | 182,817 | 79,638 |
![]() | Men in Black | 06/1997 | 90 | 250,005 | 337,000 | 587,005 | 252,302 |
![]() | Mars Attacksi | 11/1996 | 75 | 38,000 | 63,600 | 101,600 | 43,300 |
![]() | Extreme Measures | 09/1996 | 38 | 17,381 | N/A | 17,381 | 8,169 |
![]() | Freeway | 08/1996 | 4 | 296 | N/A | 296 | 139 |
![]() | The Frighteners | 07/1996 | 30 | 16,749 | N/A | 16,749 | 7,872 |
![]() | Mission: Impossible | 05/1996 | 85 | 181,000 | 273,000 | 454,000 | 194,270 |
![]() | To Die For | 10/1995 | 20 | 20,906 | 9,700 | 30,606 | 13,706 |
![]() | Dead Presidents | 10/1995 | 15 | 24,021 | N/A | 24,021 | 11,290 |
![]() | Dolores Claiborne | 03/1995 | 15 | 24,362 | 20,000 | 44,362 | 19,450 |
![]() | Black Beauty | 07/1994 | N/A | 4,630 | N/A | 4,630 | 2,176 |
![]() | The Nightmare Before Christmas | 10/1993 | 18 | 63,989 | 20,700 | 84,689 | 38,355 |
![]() | Sommersby | 02/1993 | N/A | 50,081 | 90,000 | 140,081 | 59,538 |
![]() | Batman Returns | 06/1992 | 80 | 215,000 | 120,000 | 335,000 | 149,050 |
![]() | Article 99 | 03/1992 | N/A | 5,466 | N/A | 5,466 | 2,569 |
![]() | Pure Luck | 08/1991 | N/A | 19,655 | N/A | 19,655 | 9,238 |
![]() | Edward Scissorhands | 12/1990 | 20 | 58,511 | 27,000 | 85,511 | 38,300 |
![]() | Darkman | 08/1990 | 16 | 34,066 | 15,000 | 49,066 | 22,011 |
![]() | Dick Tracy | 06/1990 | 47 | 103,750 | 60,000 | 163,750 | 72,763 |
![]() | Nightbreed | 02/1990 | N/A | 8,724 | N/A | 8,724 | 4,100 |
![]() | Batman | 06/1989 | 35 | 250,000 | 162,000 | 412,000 | 182,300 |
![]() | Scrooged | 11/1988 | N/A | 67,022 | N/A | 67,022 | 31,500 |
![]() | Hot to Trot | 08/1988 | N/A | 6,383 | N/A | 6,383 | 3,000 |
![]() | Midnight Run | 07/1988 | 30 | 38,857 | 43,200 | 82,057 | 35,543 |
![]() | Big Top Pee-Wee | 07/1988 | N/A | 14,894 | N/A | 14,894 | 7,000 |
![]() | Beetlejuice | 05/1988 | 15 | 70,639 | 172 | 70,811 | 33,269 |
Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).
Click on Est. Profitable above.
Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.
Contact Details
MANAGER KRAFT-ENGEL MANAGEMENT 15233 Ventura Blvd. # 200` SHERMAN OAKS, CA 91403 T:(818) 380-1918 |