Gabe Hilfer
Composer

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	The Night Before	11/2015	27	43,560	9,550	53,110	24,293
	Our Brand Is Crisis	10/2015	30	7,000	N/A	7,000	3,290
	Sleeping With Other People	08/2015	N/A	800	N/A	800	376
	Get Hard	03/2015	42	90,020	22,600	112,620	51,349
	Blackhat	01/2015	73	7,750	9,670	17,420	7,511
	Fury	10/2014	70	85,460	122,400	207,860	89,126
	Need For Speed	03/2014	68	43,980	160,300	204,280	84,791
	Sabotage	03/2014	40	10,950	8,260	19,210	8,451
	The Place Beyond The Pines	03/2013	16	21,210	15,850	37,060	16,309
	End Of Watch	09/2012	13	40,230	2,310	42,540	19,832
	The Wrestler	12/2008	8	26,225	18,450	44,675	19,706

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.