Mandy Mamlet (ms)
Composer

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	The Underdogs	01/2024	32	N/A	N/A	N/A	N/A
	The Boys in the Boat	12/2023	42	53,120	3,200	56,320	26,246
	On a Wing and a Prayer	04/2023	22	N/A	N/A	N/A	N/A
	Creed lll	03/2023	77	156,780	120,600	277,380	121,927
	Woman Talking	12/2022	22	N/A	N/A	N/A	N/A
	Till	10/2022	15	8,750	N/A	8,750	4,113
	Samaritan	08/2022	73	N/A	N/A	N/A	N/A
	Anything`s Possible	07/2022	4	N/A	N/A	N/A	N/A
	Respect	08/2021	57	25,060	7,350	32,410	14,718
	Candyman	08/2021	36	61,250	17,300	78,550	35,708

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.