
Dario Marianelli
Composer
Financial Data
Film Title Release (m/yr)
Film Title | Release (m/yr) | Est. Production Cost (millions) | US Box Office (000's) | Foreign Box Office (000's) | Worldwide Box Office (000's) | Est. World Film Rentals (000's) Est. Profitable | |
---|---|---|---|---|---|---|---|
![]() | Pinocchio (2020) | 12/2020 | 37 | N/A | N/A | N/A | N/A |
![]() | Bumblebee | 12/2018 | 141 | 128,090 | 332,250 | 460,340 | 193,102 |
![]() | Paddington 2 | 01/2018 | 42 | 40,450 | 187,120 | 227,570 | 93,860 |
![]() | Proud Mary | 01/2018 | 15 | 20,900 | 900 | 21,800 | 10,183 |
![]() | Darkest Hour | 11/2017 | 35 | 56,500 | 94,500 | 151,000 | 64,355 |
![]() | Ali And Nino | 11/2016 | 21 | N/A | N/A | N/A | N/A |
![]() | Kubo And the Two Strings | 08/2016 | 63 | 47,860 | 23,670 | 71,530 | 31,962 |
![]() | Everest | 09/2015 | 55 | 42,450 | N/A | 42,450 | 19,952 |
![]() | The Boxtrolls | 09/2014 | 63 | 50,450 | 58,100 | 108,550 | 46,952 |
![]() | Third Person | 06/2014 | 42 | 1,010 | N/A | 1,010 | 475 |
![]() | Redemption | 06/2013 | N/A | 37 | N/A | 37 | 17 |
![]() | Quartet | 01/2013 | 12 | 18,350 | 42,300 | 60,650 | 25,545 |
![]() | Anna Karenina | 11/2012 | 33 | 12,750 | 47,750 | 60,500 | 25,093 |
![]() | Salmon Fishing In The Yemen | 03/2012 | 12 | 8,920 | 25,600 | 34,520 | 14,432 |
![]() | Jane Eyre | 03/2011 | 15 | 11,250 | 24,120 | 35,370 | 14,936 |
![]() | Eat Pray Love | 08/2010 | 65 | 81,000 | 125,000 | 206,000 | 88,070 |
![]() | Everybodys Fine | 12/2009 | 22 | 9,260 | 7,280 | 16,540 | 7,264 |
![]() | Agora | 10/2009 | 50 | 625 | 38,425 | 39,050 | 15,664 |
![]() | The Soloist | 04/2009 | 65 | 30,950 | 6,134 | 37,084 | 17,000 |
![]() | Shrooms | 02/2008 | N/A | 3 | 4,100 | 4,103 | 1,641 |
![]() | Atonement | 12/2007 | 37 | 52,150 | 77,810 | 129,960 | 55,635 |
![]() | Goodbye Bafana | 12/2007 | 30 | N/A | N/A | N/A | N/A |
![]() | The Brave One | 09/2007 | N/A | 37,200 | 33,400 | 70,600 | 30,844 |
![]() | Beyond The Gates | 03/2007 | N/A | 41 | N/A | 41 | 19 |
![]() | The Return | 11/2006 | 15 | 7,745 | 2,450 | 10,195 | 4,620 |
![]() | Opal Dream | 11/2006 | 9 | 9 | N/A | 9 | 4 |
![]() | V For Vendetta | 03/2006 | 50 | 70,511 | 62,000 | 132,511 | 57,940 |
![]() | Pride & Prejudice | 11/2005 | 30 | 38,287 | 83,000 | 121,287 | 51,195 |
![]() | The Brothers Grimm | 08/2005 | 80 | 38,000 | 63,000 | 101,000 | 43,060 |
![]() | The Warrior | 07/2005 | N/A | 48 | N/A | 48 | 23 |
![]() | In This World | 09/2003 | 2 | 83 | N/A | 83 | 39 |
![]() | I Capture The Castle | 07/2003 | 8 | 1,179 | N/A | 1,179 | 554 |
![]() | Pandaemonium | 06/2001 | 15 | 5 | N/A | 5 | 2 |
![]() | Urbania | 09/2000 | 1 | 1,032 | N/A | 1,032 | 485 |
![]() | Southpaw (doc) | 04/2000 | N/A | 27 | N/A | 27 | 13 |
![]() | I Went Down | 07/1998 | N/A | 465 | N/A | 465 | 219 |
Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).
Click on Est. Profitable above.
Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.