Julia Michels
Composer

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	A Bad Moms Christmas	11/2017	30	72,050	60,130	132,180	57,916
	Sisters	12/2015	32	88,006	17,650	105,656	48,423
	Beyond The Lights	11/2014	8	14,350	N/A	14,350	6,745
	The Other Woman	04/2014	44	84,120	112,750	196,870	84,636
	Baggage Claim	09/2013	10	21,500	845	22,345	10,443
	Parental Guidance	12/2012	28	77,275	42,780	120,055	53,431
	Hope Springs	08/2012	34	62,950	42,500	105,450	46,587
	Alvin And The Chipmunks: Chipwrecked	12/2011	82	133,500	210,550	344,050	146,965
	Soul Surfer	04/2011	20	43,950	425	44,375	20,827
	Diary Of A Wimpy Kid	03/2010	17	65,320	750	66,070	31,000
	Marley And Me	12/2008	55	143,350	97,850	241,200	106,515
	The Sisterhood Of The Traveling Pants 2	08/2008	29	44,100	81	44,181	20,759
	The Devil Wears Prada	06/2006	35	125,740	195,000	320,740	137,098

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.