Javier Navarrete
Composer

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Antlers	10/2021	22	10,400	5,760	16,160	7,192
	Emperor (2020)	03/2020	N/A	N/A	N/A	N/A	N/A
	Greta	03/2019	11	10,480	8,760	19,240	8,430
	Byzantium	06/2013	9	84	N/A	84	39
	Wrath Of The Titans	03/2012	165	83,120	217,800	300,920	126,186
	Cracks	03/2011	N/A	18	N/A	18	8
	The Warriors Way	12/2010	45	5,760	5,500	11,260	4,907
	The New Daughter	10/2009	17	N/A	N/A	N/A	N/A
	Inkheart	01/2009	65	17,430	45,150	62,580	26,252
	Mirrors	08/2008	N/A	30,700	46,625	77,325	33,079
	Pans Labyrinth (El Laberinto del Fauno)	12/2006	20	37,815	45,000	82,815	35,773
	Dot The I	03/2005	N/A	306	N/A	306	144
	The Devils Backbone (Espinazo del Diablo, El)	12/2001	N/A	755	N/A	755	355
	The Devils Backbone	11/2001	N/A	755	N/A	755	355

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.