
Ira Newborn
Composer
Financial Data
Film Title Release (m/yr)
Film Title | Release (m/yr) | Est. Production Cost (millions) | US Box Office (000's) | Foreign Box Office (000's) | Worldwide Box Office (000's) | Est. World Film Rentals (000's) Est. Profitable | |
---|---|---|---|---|---|---|---|
![]() | Bad Manners | 10/1998 | N/A | 54 | N/A | 54 | 25 |
![]() | BASEketball | 07/1998 | N/A | 7,043 | N/A | 7,043 | 3,310 |
![]() | High School High | 10/1996 | N/A | 20,736 | N/A | 20,736 | 9,746 |
![]() | Mallrats | 10/1995 | 6 | 1,817 | N/A | 1,817 | 854 |
![]() | The Jerky Boys | 01/1995 | N/A | 7,557 | N/A | 7,557 | 3,552 |
![]() | The Naked Gun 33 1/3: The Final Insult | 03/1994 | N/A | 51,000 | 71,300 | 122,300 | 52,490 |
![]() | Ace Ventura: Pet Detective | 02/1994 | 12 | 72,217 | 22,800 | 95,017 | 43,062 |
![]() | The Opposite Sex | 03/1993 | N/A | 691 | N/A | 691 | 325 |
![]() | Innocent Blood | 09/1992 | N/A | 4,800 | N/A | 4,800 | 2,256 |
![]() | Brain Donors | 04/1992 | N/A | 918 | N/A | 918 | 431 |
![]() | The Naked Gun 2 1/2: The Smell Of Fear | 06/1991 | N/A | 94,043 | N/A | 94,043 | 44,200 |
![]() | My Blue Heaven | 08/1990 | N/A | 22,979 | N/A | 22,979 | 10,800 |
![]() | Short Time | 05/1990 | N/A | 4,010 | N/A | 4,010 | 1,885 |
![]() | Uncle Buck | 08/1989 | N/A | 64,543 | 12,500 | 77,043 | 35,335 |
![]() | The Naked Gun: From The Files Of The Police Squad! | 12/1988 | N/A | 73,192 | N/A | 73,192 | 34,400 |
![]() | Caddyshack II | 07/1988 | N/A | 11,798 | N/A | 11,798 | 5,545 |
![]() | Planes, Trains & Automobiles | 12/1987 | N/A | 49,511 | N/A | 49,511 | 23,270 |
Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).
Click on Est. Profitable above.
Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.