Mark Orton
Composer

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	The Holdovers	10/2023	14	20,400	25,600	46,000	19,828
	Somewhere in Queens	04/2023	13	N/A	N/A	N/A	N/A
	Elsewhere	01/2021	8	N/A	N/A	N/A	N/A
	Love Hard	0/2021	6	N/A	N/A	N/A	N/A
	The Last Shift	09/2020	6	N/A	N/A	N/A	N/A
	Unleashed	08/2017	4	N/A	N/A	N/A	N/A
	People Places Things	08/2015	N/A	30	N/A	30	14
	Big Significant Things	07/2015	N/A	N/A	N/A	N/A	N/A
	Drunktown`s Finest	02/2015	N/A	N/A	N/A	N/A	N/A
	My Old Lady	09/2014	7	4,050	N/A	4,050	1,904
	Nebraska	11/2013	13	17,430	N/A	17,430	8,192
	The Loss Of A Tear Drop Diamond	12/2009	7	120	N/A	120	56
	The Real Dirt On Farmer John	07/2007	N/A	13	N/A	13	6
	Sweet Land	10/2006	1	1,024	N/A	1,024	481

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.