
Rachel Portman
Composer
Financial Data
Film Title Release (m/yr)
Film Title | Release (m/yr) | Est. Production Cost (millions) | US Box Office (000's) | Foreign Box Office (000's) | Worldwide Box Office (000's) | Est. World Film Rentals (000's) Est. Profitable | |
---|---|---|---|---|---|---|---|
![]() | Their Finest | 03/2017 | 12 | 3,600 | 9,100 | 12,700 | 5,332 |
![]() | Despite The Falling Snow | 03/2017 | 12 | N/A | N/A | N/A | N/A |
![]() | Race | 02/2016 | 28 | 1,380 | 24,340 | 25,720 | 10,385 |
![]() | Private Peaceful | 10/2014 | N/A | N/A | N/A | N/A | N/A |
![]() | Dolphin Tale 2 | 09/2014 | 38 | 41,200 | 11,640 | 52,840 | 24,020 |
![]() | Belle | 05/2014 | 12 | 11,120 | N/A | 11,120 | 5,226 |
![]() | The Right Kind Of Wrong | 03/2014 | N/A | 2 | N/A | 2 | 1 |
![]() | Bel Ami | 06/2012 | N/A | 120 | 8,450 | 8,570 | 3,436 |
![]() | The Vow | 02/2012 | 33 | 125,020 | 72,350 | 197,370 | 87,699 |
![]() | One Day | 08/2011 | 17 | 14,000 | 36,875 | 50,875 | 21,330 |
![]() | Snow Flower And The Secret Fan | 07/2011 | 7 | 1,350 | 10,075 | 11,425 | 4,665 |
![]() | Never Let Me Go | 09/2010 | 17 | 2,450 | 7,060 | 9,510 | 3,976 |
![]() | The Sisterhood Of The Traveling Pants 2 | 08/2008 | 29 | 44,100 | 81 | 44,181 | 20,759 |
![]() | Infamous | 10/2006 | 13 | 1,150 | N/A | 1,150 | 541 |
![]() | The Lake House | 06/2006 | 40 | 52,321 | 63,000 | 115,321 | 49,791 |
![]() | Oliver Twist | 09/2005 | 45 | 2,055 | 40,620 | 42,675 | 17,214 |
![]() | Because Of Winn-Dixie | 02/2005 | 14 | 32,650 | 1,150 | 33,800 | 15,806 |
![]() | The Manchurian Candidate | 07/2004 | 80 | 66,000 | 29,000 | 95,000 | 42,620 |
![]() | Mona Lisa Smile | 12/2003 | 65 | 64,007 | 79,000 | 143,007 | 61,683 |
![]() | Nicholas Nickleby | 12/2002 | 10 | 1,377 | N/A | 1,377 | 647 |
![]() | The Truth About Charlie | 10/2002 | N/A | 5,320 | N/A | 5,320 | 2,500 |
![]() | The Emperors New Clothes | 06/2002 | N/A | 570 | N/A | 570 | 268 |
![]() | Harts War | 02/2002 | 70 | 19,000 | 9,900 | 28,900 | 12,890 |
![]() | Chocolat | 12/2000 | 26 | 71,310 | 81,000 | 152,310 | 65,916 |
![]() | The Legend Of Bagger Vance | 11/2000 | 60 | 30,695 | N/A | 30,695 | 14,427 |
![]() | Ratcatcher | 11/2000 | N/A | 217 | N/A | 217 | 102 |
![]() | The Closer You Get | 02/2000 | N/A | 222 | N/A | 222 | 104 |
![]() | The Cider House Rules | 12/1999 | 24 | 57,536 | 37,000 | 94,536 | 41,842 |
![]() | The Other Sister | 02/1999 | N/A | 28,800 | 6,000 | 34,800 | 15,936 |
![]() | Home Fries | 11/1998 | 15 | 10,053 | N/A | 10,053 | 4,725 |
![]() | Beloved | 10/1998 | 53 | 22,747 | N/A | 22,747 | 10,691 |
![]() | Addicted to Love | 05/1997 | 22 | 34,673 | 27,500 | 62,173 | 27,296 |
![]() | Marvins Room | 11/1996 | 25 | 12,800 | N/A | 12,800 | 6,016 |
![]() | Palookaville | 11/1996 | N/A | 334 | N/A | 334 | 157 |
![]() | Emma | 08/1996 | 6 | 22,317 | 15,600 | 37,917 | 16,729 |
![]() | The Adventures of Pinocchio | 07/1996 | 25 | 15,385 | 21,300 | 36,685 | 15,751 |
![]() | To Wong Foo, Thanks For Everything, Julie Newmar | 09/1995 | N/A | 36,477 | 3,100 | 39,577 | 18,384 |
![]() | War of the Buttons | 09/1995 | N/A | 11 | N/A | 11 | 5 |
![]() | Smoke | 06/1995 | 7 | 8,349 | N/A | 8,349 | 3,924 |
![]() | A Pyromaniacs Love Story | 04/1995 | N/A | 466 | N/A | 466 | 219 |
![]() | Only You | 10/1994 | N/A | 20,040 | 8,700 | 28,740 | 12,899 |
![]() | The Road To Wellville | 10/1994 | N/A | 6,506 | 450 | 6,956 | 3,238 |
![]() | Sirens | 03/1994 | N/A | 7,770 | N/A | 7,770 | 3,652 |
![]() | The Joy Luck Club | 09/1993 | 11 | 31,349 | 9,900 | 41,249 | 18,694 |
![]() | Benny & Joon | 04/1993 | N/A | 23,202 | 7,079 | 30,281 | 13,737 |
![]() | Used People | 12/1992 | 20 | 17,313 | 10,565 | 27,878 | 12,363 |
![]() | Where Angels Fear to Tread | 03/1992 | N/A | 1,136 | N/A | 1,136 | 534 |
![]() | Life is Sweet | 12/1991 | N/A | 1,517 | N/A | 1,517 | 713 |
![]() | High Hopes | 02/1989 | N/A | 1,191 | N/A | 1,191 | 560 |
Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).
Click on Est. Profitable above.
Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.