
Rob Simonsen
Composer
Financial Data
Film Title Release (m/yr)
Film Title | Release (m/yr) | Est. Production Cost (millions) | US Box Office (000's) | Foreign Box Office (000's) | Worldwide Box Office (000's) | Est. World Film Rentals (000's) Est. Profitable | |
---|---|---|---|---|---|---|---|
![]() | Deadpool & Wolverine | 07/2024 | 210 | N/A | N/A | N/A | N/A |
![]() | Soul | 01/2024 | 156 | 950 | 122,560 | 123,510 | 49,471 |
![]() | Good Grief | 12/2023 | 6 | N/A | N/A | N/A | N/A |
![]() | The Whale | 12/2022 | 28 | N/A | N/A | N/A | N/A |
![]() | The Adam Project | 03/2022 | 78 | N/A | N/A | N/A | N/A |
![]() | Ghostbusters: Afterlife | 11/2021 | 36 | N/A | N/A | N/A | N/A |
![]() | Our Friend | 01/2021 | 15 | N/A | N/A | N/A | N/A |
![]() | The Way Back | 03/2020 | 27 | N/A | N/A | N/A | N/A |
![]() | Fast Color | 04/2019 | 6 | N/A | N/A | N/A | N/A |
![]() | Captive State | 03/2019 | 27 | N/A | N/A | N/A | N/A |
![]() | The Upside | 01/2019 | 22 | 108,130 | 17,500 | 125,630 | 57,821 |
![]() | The Front Runner | 11/2018 | N/A | N/A | N/A | N/A | N/A |
![]() | Fantastic Beasts: The Crimes Of Grindelwald | 11/2018 | 210 | 160,100 | 495,070 | 655,170 | 273,275 |
![]() | Tully | 05/2018 | 13 | 9,350 | 6,200 | 15,550 | 6,875 |
![]() | The Cleanse | 05/2018 | 8 | N/A | N/A | N/A | N/A |
![]() | The House of Tommorow | 04/2018 | 6 | N/A | N/A | N/A | N/A |
![]() | Love, Simon | 03/2018 | 18 | 40,850 | 25,500 | 66,350 | 29,400 |
![]() | Father Figures | 12/2017 | 26 | 17,500 | 8,000 | 25,500 | 11,425 |
![]() | The Only Living Boy In New York | 08/2017 | 18 | 625 | 1,560 | 2,185 | 918 |
![]() | Going In Style | 04/2017 | 26 | 45,000 | 41,230 | 86,230 | 37,642 |
![]() | Gifted | 04/2017 | 8 | 24,570 | 18,775 | 43,345 | 19,058 |
![]() | Miss Stevens | 09/2016 | 5 | N/A | N/A | N/A | N/A |
![]() | Nerve | 07/2016 | 21 | 38,220 | 46,700 | 84,920 | 36,643 |
![]() | Viral | 02/2016 | N/A | 552 | N/A | 552 | 259 |
![]() | Burnt | 10/2015 | 21 | 13,450 | 22,680 | 36,130 | 15,394 |
![]() | Stonewall | 09/2015 | N/A | N/A | N/A | N/A | N/A |
![]() | The Age Of Adaline | 04/2015 | 27 | 42,340 | 24,120 | 66,460 | 29,548 |
![]() | Foxcatcher | 11/2014 | 12 | 11,981 | N/A | 11,981 | 5,631 |
![]() | Wish I Was Here | 07/2014 | 7 | 3,500 | 2,015 | 5,515 | 2,451 |
![]() | The Spectacular Now | 08/2013 | 3 | 6,750 | N/A | 6,750 | 3,173 |
![]() | The Way Way Back | 07/2013 | 6 | 20,875 | 1,824 | 22,699 | 10,541 |
![]() | Girl Most Likely | 07/2013 | N/A | 1,375 | N/A | 1,375 | 646 |
![]() | The English Teacher | 05/2013 | N/A | 102 | N/A | 102 | 48 |
![]() | Seeking A Friend From The End Of the World | 06/2012 | 11 | 7,120 | 4,885 | 12,005 | 5,300 |
![]() | Love etc. | 07/2011 | N/A | 44 | N/A | 44 | 21 |
![]() | All Good Things | 12/2010 | N/A | 585 | 63 | 648 | 300 |
![]() | 500 Days Of Summer | 07/2009 | 8 | 31,400 | 25,850 | 57,250 | 25,098 |
Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).
Click on Est. Profitable above.
Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.