Jojo Villanueva
Composer

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Daddy`s Home	12/2015	53	149,720	89,438	239,158	106,144
	Miss You Already	11/2015	N/A	1,150	7,340	8,490	3,477
	Straight Outta Compton	08/2015	30	160,850	39,600	200,450	91,440
	Horrible Bosses 2	11/2014	44	54,200	53,100	107,300	46,714
	When The Game Stands Tall	08/2014	16	30,015	N/A	30,015	14,107
	Something Borrowed	05/2011	38	40,050	22,350	62,400	27,764
	Arthur	04/2011	44	33,150	12,800	45,950	20,701
	Sex Drive	10/2008	20	8,500	4,200	12,700	5,675
	Meet The Spartans	02/2008	33	38,250	46,387	84,637	36,532
	The Hitcher	01/2007	10	16,475	8,812	25,287	11,268

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.