Alex Wurman
Composer
Financial Data
Film Title Release (m/yr)
| Film Title | Release (m/yr) | Est. Production Cost (millions) | US Box Office (000's) | Foreign Box Office (000's) | Worldwide Box Office (000's) | Est. World Film Rentals (000's) Est. Profitable | |
|---|---|---|---|---|---|---|---|
 | A Little White Lie | 07/2023 | 8 | N/A | N/A | N/A | N/A |
 | Buddy Games | 10/2020 | 6 | N/A | N/A | N/A | N/A |
 | Half Magic | 02/2018 | 5 | N/A | N/A | N/A | N/A |
 | Unfinished Business | 03/2015 | 38 | 10,180 | 4,200 | 14,380 | 6,465 |
 | Something Borrowed | 05/2011 | 38 | 40,050 | 22,350 | 62,400 | 27,764 |
 | The Switch | 08/2010 | 21 | 28,000 | 23,000 | 51,000 | 22,360 |
 | What Doesnt Kill You | 12/2008 | N/A | N/A | N/A | N/A | N/A |
 | Four Christmases | 11/2008 | 85 | 120,900 | 43,750 | 164,650 | 74,323 |
 | Natioinal Lampoons Homo Erectus | 07/2008 | N/A | N/A | N/A | N/A | N/A |
 | The Promotion | 06/2008 | N/A | 410 | 15 | 425 | 199 |
 | Holiday Baggage | 05/2008 | 2 | N/A | N/A | N/A | N/A |
 | Run Fat Boy Run | 03/2008 | 10 | 6,210 | 28,460 | 34,670 | 14,303 |
 | The Nines | 08/2007 | N/A | 63 | 56 | 119 | 52 |
 | Talladega Nights | 08/2006 | 70 | 148,213 | 15,000 | 163,213 | 75,660 |
 | March Of The Penguins | 06/2005 | 8 | 77,000 | 37,000 | 114,000 | 50,990 |
 | A Lot Like Love | 04/2005 | 30 | 22,000 | 26,000 | 48,000 | 20,740 |
 | Criminal | 09/2004 | N/A | 925 | N/A | 925 | 435 |
 | Anchorman | 07/2004 | 28 | 84,000 | 5,000 | 89,000 | 41,480 |
 | Hollywood Homicide | 06/2003 | 75 | 30,044 | 18,000 | 48,044 | 21,321 |
 | Confessions Of A Dangerous Mind | 12/2002 | 29 | 15,920 | 18,000 | 33,920 | 14,682 |
 | Thirteen Conversations About One Thing | 05/2002 | N/A | 3,288 | N/A | 3,288 | 1,545 |
 | Play It To The Bone | 12/1999 | 25 | 8,427 | N/A | 8,427 | 3,961 |
Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).
Click on Est. Profitable above.
Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.
