
Randall poster (ms)
Composer
Financial Data
Film Title Release (m/yr)
Film Title | Release (m/yr) | Est. Production Cost (millions) | US Box Office (000's) | Foreign Box Office (000's) | Worldwide Box Office (000's) | Est. World Film Rentals (000's) Est. Profitable | |
---|---|---|---|---|---|---|---|
![]() | Ad Astra | 09/2019 | 83 | 50,650 | 78,510 | 129,160 | 55,210 |
![]() | The Lost City Of Z | 04/2017 | 32 | 8,530 | 11,310 | 19,840 | 8,533 |
![]() | Silence | 12/2016 | 53 | N/A | N/A | N/A | N/A |
![]() | War Dogs | 08/2016 | 42 | 42,900 | 45,600 | 88,500 | 38,403 |
![]() | Nerve | 07/2016 | 21 | 38,220 | 46,700 | 84,920 | 36,643 |
![]() | Popstar: Never Stop Never Stopping | 06/2016 | 21 | 9,520 | N/A | 9,520 | 4,474 |
![]() | Now You See Me 2 | 06/2016 | 94 | 64,780 | 272,570 | 337,350 | 139,475 |
![]() | The Nice Guys | 05/2016 | 52 | 35,975 | 22,340 | 58,315 | 25,844 |
![]() | Everybody Wants Some | 04/2016 | 10 | 3,380 | N/A | 3,380 | 1,589 |
![]() | The Invitation | 04/2016 | 4 | 231 | 120 | 351 | 157 |
![]() | The Divergent Series: Allegiant | 03/2016 | 115 | 65,900 | 115,300 | 181,200 | 77,093 |
![]() | Don Verdean | 12/2015 | N/A | 30 | N/A | 30 | 14 |
![]() | My All American | 11/2015 | 22 | 2,250 | N/A | 2,250 | 1,058 |
![]() | Carol | 11/2015 | 13 | 12,875 | 26,840 | 39,715 | 16,787 |
![]() | The Intern | 09/2015 | 38 | 75,820 | 118,870 | 194,690 | 83,183 |
![]() | American Ultra | 08/2015 | 30 | 14,200 | 1,206 | 15,406 | 7,156 |
![]() | We Are Your Friends | 08/2015 | N/A | 3,450 | N/A | 3,450 | 1,622 |
![]() | The Bronze | 07/2015 | N/A | N/A | N/A | N/A | N/A |
![]() | Me And Earl And the Dying Girl | 06/2015 | 9 | 6,680 | N/A | 6,680 | 3,140 |
![]() | The D Train | 05/2015 | N/A | 670 | N/A | 670 | 315 |
![]() | The Divergent Series: Insurgent | 03/2015 | 115 | 129,120 | 172,430 | 301,550 | 129,658 |
![]() | Still Alice | 12/2014 | 6 | 18,550 | 25,360 | 43,910 | 18,863 |
![]() | The Skeleton Twins | 09/2014 | 8 | 5,120 | N/A | 5,120 | 2,406 |
![]() | Boyhood | 07/2014 | 5 | 25,120 | 20,675 | 45,795 | 20,076 |
![]() | The Grand Budapest Hotel | 03/2014 | 33 | 58,100 | 116,300 | 174,400 | 73,827 |
![]() | Divergent | 03/2014 | 90 | 149,100 | 142,700 | 291,800 | 127,157 |
![]() | Endless Love | 02/2014 | 21 | 23,675 | 12,879 | 36,554 | 16,279 |
![]() | Labor Day | 01/2014 | 19 | 13,200 | 6,350 | 19,550 | 8,744 |
![]() | The Wolf Of Wall Street | 12/2013 | 105 | 115,110 | 275,630 | 390,740 | 164,354 |
![]() | Carrie | 10/2013 | 33 | 35,100 | 51,200 | 86,300 | 36,977 |
![]() | Kill Your Darlings | 10/2013 | N/A | 990 | N/A | 990 | 465 |
![]() | The Heat | 06/2013 | 47 | 157,400 | 72,310 | 229,710 | 102,902 |
![]() | The Hangover Part III | 05/2013 | 115 | 110,650 | 248,120 | 358,770 | 151,254 |
![]() | Spring Breakers | 03/2013 | 6 | 14,050 | 18,230 | 32,280 | 13,896 |
Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).
Click on Est. Profitable above.
Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.