David Gordon Green
Director

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	The Exorcist Believer	10/2023	32	65,600	71,230	136,830	59,324
	Halloween Ends	10/2022	22	65,420	41,800	107,220	47,467
	Halloween Kills	10/2021	22	N/A	N/A	N/A	N/A
	Halloween	10/2018	11	N/A	N/A	N/A	N/A
	Stronger	09/2017	32	4,200	4,300	8,500	3,694
	Our Brand Is Crisis	10/2015	30	7,000	N/A	7,000	3,290
	Manglehorn	06/2015	5	132	N/A	132	62
	Joe	04/2014	5	374	N/A	374	176
	Prince Avalanche	08/2013	1	203	N/A	203	95
	The Sitter	12/2011	27	30,100	4,500	34,600	15,947
	Your Highness	04/2011	55	21,800	3,275	25,075	11,556
	Pineapple Express	08/2008	27	87,350	14,750	102,100	46,955
	Snow Angels	03/2008	2	400	12	412	193
	Undertow	10/2004	N/A	124	N/A	124	58
	All The Real Girls	02/2003	1	549	N/A	549	258
	George Washington	10/2000	N/A	225,141	N/A	225,141	105,816

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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