James Ivory
Director

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	The City Of Final Destination	04/2010	10	495	935	1,430	607
	The White Countess	12/2005	16	2,277	2,510	4,787	2,074
	Le Divorce	08/2003	N/A	9,081	N/A	9,081	4,268
	The Golden Bowl	04/2001	15	3,051	N/A	3,051	1,434
	A Soldiers Daughter Never Cries	09/1998	N/A	1,799	N/A	1,799	846
	Surviving Picasso	09/1996	16	2,000	N/A	2,000	940
	Jefferson In Paris	01/1995	14	2,474	N/A	2,474	1,163
	The Remains Of The Day	11/1993	N/A	22,953	33,600	56,553	24,228
	Howards End	03/1992	12	26,596	3,120	29,716	13,748
	Mr. & Mrs. Bridge	11/1990	N/A	7,698	N/A	7,698	3,618

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.