George Miller
Director

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Furiosa: A Mad Max Saga	05/2024	175	42,750	33,120	75,870	33,341
	Three Thousand Years of Longing	08/2022	63	8,360	11,480	19,840	8,521
	Mad Max: Fury Road	05/2015	157	153,100	225,600	378,700	162,197
	Happy Feet Two	11/2011	140	65,030	86,810	151,840	65,288
	Happy Feet	11/2006	86	198,001	186,000	384,001	167,460
	Babe: Pig in the City	11/1998	80	18,768	50,300	69,068	28,941
	Zeus & Roxanne	01/1997	N/A	7,235	N/A	7,235	3,400
	Andre	08/1994	N/A	16,819	N/A	16,819	7,905
	Lorenzos Oil	12/1992	N/A	7,126	N/A	7,126	3,349
	Frozen Assets	10/1992	N/A	376	N/A	376	177
	The Neverending Story II: The Next Chapter	02/1991	N/A	17,400	N/A	17,400	8,178
	The Witches Of Eastwick	08/1987	23	64,000	57,000	121,000	52,880

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.