Phillip Noyce
Director

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	Above Suspicion	05/2023	26	N/A	N/A	N/A	N/A
	The Desperate Hour	07/2022	8	N/A	N/A	N/A	N/A
	The Giver	08/2014	28	45,620	21,340	66,960	29,977
	Salt	07/2010	118	120,543	177,000	297,543	127,455
	Catch A Fire	10/2006	N/A	4,300	N/A	4,300	2,021
	The Quiet American	11/2002	28	13,968	15,380	29,348	12,717
	Rabbit-Proof Fence	11/2002	6	6,144	11,300	17,444	7,408
	The Bone Collector	11/1999	52	66,539	86,500	153,039	65,873
	The Saint	03/1997	70	61,364	56,700	118,064	51,521
	Clear And Present Danger	08/1994	65	122,000	85,500	207,500	91,540
	Sliver	05/1993	N/A	36,300	80,000	116,300	49,061
	Patriot Games	06/1992	45	79,788	94,700	174,488	75,380
	Blind Fury	03/1990	N/A	2,554	N/A	2,554	1,200
	Dead Calm	04/1989	N/A	7,825	N/A	7,825	3,678

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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