Robert Zemeckis
Director

Financial Data

Film Title Release (m/yr)

	Film Title	Release (m/yr)	Est. Production Cost (millions)	US Box Office (000's)	Foreign Box Office (000's)	Worldwide Box Office (000's)	Est. World Film Rentals (000's) Est. Profitable
	The Witches (2020)	10/2020	47	N/A	N/A	N/A	N/A
	Welcome To Marwen	12/2018	41	10,870	2,250	13,120	6,009
	Allied	11/2016	90	39,800	75,500	115,300	48,906
	The Walk	10/2015	37	10,050	34,560	44,610	18,548
	Flight	11/2012	34	92,800	70,320	163,120	71,744
	Disneys A Christmas Carol	11/2009	215	140,000	175,000	315,000	135,800
	Beowulf	11/2007	150	82,225	114,575	196,800	84,476
	The Polar Express	11/2004	165	179,326	124,800	304,126	134,203
	Cast Away	12/2000	90	233,630	192,800	426,430	186,926
	What Lies Beneath	05/2000	90	155,370	120,000	275,370	121,024
	Contact	07/1997	90	104,328	70,200	174,528	77,114
	Forrest Gump	07/1994	55	331,600	346,400	678,000	294,412
	Death Becomes Her	07/1992	55	64,751	90,600	155,351	66,673
	Back to the Future, Part III	05/1990	40	104,151	156,000	260,151	111,351
	Back to the Future, Part II	11/1989	40	153,798	83,600	237,398	105,725
	Who Framed Roger Rabbit	06/1988	73	172,860	195,000	367,860	159,244
	Back To The Future	07/1985	19	224,460	140,000	364,460	161,496

Note: Film Rentals is the amount received by Distributors from Theaters/Exhibitors. A film's profitability may be assessed when estimated world film rentals approach/equal/exceed estimated production cost. DVD, Television, Digital and Ancillary revenues are then added and production, marketing and other costs deducted (Cost variables may affect this calculation).

Click on Est. Profitable above.

Approximately one half of the films released each year in the U.S. avoid the considerable marketing costs of a wide release in theaters and go directly to digital and other media often taking them into profit. A substantial number are made for and streamed by Netflix, Amazon, Hulu, Disney, Apple, Peacock, HBO and similar platforms.

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